mayhem

Giorgio Pescatore...!!!!!!!

They're back, these "Kill" (so original!), I have to find it immediately. I believe they have confirmed themselves as the creators of the most monolithic and unchanging death metal in the world: deep down, that's fine by me. It's fine with the idiots who spam right from the first comment too. The review seems a bit off, as if it was written just to put pen to paper. It doesn't quite convey the idea, but it’s true that it’s not easy to talk about a band like them, which almost makes repetitiveness a dogma. Good luck to those who can tolerate them less with each album they release...

an impressive album, the soundtrack to one of Argento's finest works. It was necessary to elaborate...

useless disc

I have a vague recollection of Malmsteen's early days; I was completely unaware of this album, so I’ll try to listen to something as soon as possible. The review captures the idea perfectly; it's strange to think of our guitarist not going overboard and overflowing with virtuosity: at least here, thank goodness...

I've also become quite critical of my idols... but these are just my subjective impressions: compared to what I love listening to, I find it pretentious, that's all. Not a small thing. Then it depends a lot on what you like to listen to: it's hard to say that Coltrane isn't an excellent musician, but I can't handle more than 2 minutes of him in a row, not even for "study" purposes or simple curiosity. And Malmsteen isn't Coltrane, nor is he Satriani... Bye!

Here you see: "yeah but it's Malmsteen"... well. Honestly, I find that "magnum opus" is an album where he plays beautifully, an album worthy of being listened to, all the rest is academia, or rather pointless wankery. But I don't think jettojet agrees...

and then they say: "but it's Malmsteen"... HMMM! (the background music?!)

reviewing a "famous" group is even worse ...

At a certain point in the discourse, a matter of preferences and personal taste inevitably plays a role: but that the non-guitar parts sound like a midi, I would have some doubts! With a bit of malice in this perspective, "Trilogy" by Malmsteen is pure tacky disco music: on that album, Yngwie (or whatever his name is) rises excessively, and those four unfortunate souls following him are completely overshadowed by his academy: piripiripiri726.000notespersecondeh …! Instead, in "Extremist," I don't think there's this problem; the album seems very well-crafted and balanced, and I didn't expect that 90% of the "care" would be on his instrument. I don't expect particularly exhilarating rhythms in an album like this; for those, there's a genre called progressive! Anyway, the "evil" you refer to can be found in every gh in the world... or not?