Mr.Moustache

In my opinion, you can give it a try; if they are too intense, Colour Haze will do just fine to adjust the 'vibe'!

Regarding the "lords" I mentioned, nothing overly enigmatic: CAZ hit the nail on the head, it all comes down to the type of integration (metabolic and, I add, also psycho-neuronal). If individuals of such nature were to replace substances that increase fat mass with substances capable of increasing "unconscious" mass, they would probably find that unexpected benefit that, in my opinion, a gym and its (to me, rather unappealing) content rarely offer today with such superficiality. I confess that I no longer habitually use the green altering substances that the cover has referred to for quite some time now, but that doesn't take away from the fact that I still feel spiritually inclined to support their conscious use and a more than thoughtful and necessary legalization. That said, the album in question does justice to a genre increasingly overlooked, and to be honest, it’s the most interesting thing the (flying) Dutch trio has ever produced in its career!

Hairstyle aside, the singer is definitely a cutie! I don't know them, but honestly, it's not my thing ;)

I really miss this.. I saw Perdita Durango but from the way you describe it, I absolutely have to see it!

Personally, I believe that starting from This Must Be The Place, he completely lost his way. We’re talking about someone who has made films like L'uomo in più, L'amico di famiglia, Le conseguenze dell'amore, IL DIVO (something extraordinary): all films with an unmatched depth in terms of screenplay, soundtrack, cinematography, and casting choices. With his first foreign production in 2011, he seems to have gotten a bit too full of himself, probably preferring to reach a broader and more blind audience than to try to attract those who were captivated by his most representative artistic solutions. La grande bellezza attracts me as much as a shopping mall open on both Saturday and Sunday. Carlo Verdone, Sabrina Ferilli, Serena Grandi, Giorgio Pasotti, Isabella Ferrari... are you kidding me??? Not to mention that it’s co-produced and distributed by Medusa Film, and Luck Red has dramatically pulled back... I mean, there must be a reason, right? Anyway, I don’t like to comment on a film I haven’t seen yet. Let’s just say that if these are the premises, I’m afraid I’m heading for a tremendous disappointment, like when Van Basten announced his retirement from football. (Sabrina Ferilli… I mean, SABRINA FERILLI?????). I won’t add anything else...

The Black Sabbath were certainly Iommi, but they were also a lot, a whole lot, an enormous amount of drugs by the tons. Forget about God... (Ronnie James)... And above all, the Black Sabbath WERE, until 1975/1976. May God (the Christian/Muslim/Jewish/Hindu/Tolte c-Guatemalan-Olmec-Egyptian) bless them in glory for centuries to come!!

Immense. Before this film (and especially the previous one, from 1979), there was very little that could evoke tension and heartbeats in the realm of science fiction. Its greatest merit is surely in having added the inhuman essence of horror cinema to the dreamy and muffled atmospheres of dark space. Very often I wonder why the hell some bigwig made in LA doesn’t take a good look at films of this kind before squandering dollars on investments on the brink of civil war...

I really miss it, starting from what you say in the review I absolutely have to listen to it. Slow period, or rather, scandalously frozen. As always, great offering!

Probably the only noteworthy performance by Tom Cruise. The villain role suits him perfectly: had he only taken on character roles like this, he would have been one of my favorite actors. The film is one of the few that manages to portray Los Angeles in such a dark and gloomy way. Of course, not to Lynch's level, but overall I really enjoyed it. Great recommendation!

Sonetaula is a masterpiece. Last night, on Marzullo's show, Mereu was there, and for the first and only time, I heard from his words everything he had to sweat to emerge in a cinematic reality like the Italian one. At one point, recalling the presentation of Sonetaula in Berlin, he said that at the end of the film screening he approached his father and asked him what he thought: his father looked at him almost moved and replied, "It had to be done. Now, more people will come to know what kind of life we’ve had to endure." As the son of both Sardinian parents who emigrated to northern Italy, after watching that film, I thought exactly the same thing.