Cover of The March Violets Natural History
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For fans of the march violets,lovers of british gothic rock,post-punk enthusiasts,fans of sisters of mercy and bauhaus,listeners exploring 1980s alternative music
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THE REVIEW

The March Violets may not have been geniuses, I think that's evident just from their chosen name, but they undoubtedly proved to be the most valid representatives of the British gothic rock era. At least after the tutelary deities Sisters Of Mercy.

Born in Leeds in 1980, the March Violets soon came under the protective and productive wing of Mr. Andrew Eldritch: the small label Merciful Release.

Their first album, the one reviewed here, was released in the now distant 1984. I mentioned "gothic rock" to make myself understood and to emphasize the close connection that existed (and still exists today) between these youngsters and the founders of the genre. However, it is not the tacky gothic of Mission UK or The Cult that you will hear once you delve into their debut.

No "hard," no sappy melodies, and no various and assorted extravagances. With the early March Violets, in fact, there's an air of Bauhaus, Siouxsie, and the earliest S.O.M.

An electronic drum beats the time as livid and strictly post-punk guitars create the gloomy atmosphere that every album of this genre should exude.

Beautiful songs, simple and often exciting. An album recommended even for those who are not aficionados of this reality.

Tracks worthy of note in this writer's opinion? Certainly, I would mention "Religious As Hell," "Fodder", and "Radiant Boys." Only three tracks? It's just that I really don't feel like doing a track-by-track, and surely, some lapses are noticeable here and there. Give it a listen. You're certainly not going to die from it.

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Summary by Bot

The March Violets' debut album Natural History (1984) is considered one of the most valid representations of British gothic rock after Sisters Of Mercy. With influences from Bauhaus and Siouxsie, the album blends post-punk guitars and electronic drums to create an atmospheric, dark sound. The review highlights tracks like "Religious As Hell," "Fodder," and "Radiant Boys" and recommends the album even to those new to the genre. While not perfect, it remains a captivating listen.

Tracklist Lyrics

01   Religious as Hell ()

02   Children on Stun ()

05   Grooving in Green ()

06   Radiant Boys ()

07   Undertow ()

08   Strangehead ()

09   Crow Baby ()

10   One Two I Love You ()

11   Snake Dance ()

Take my hand said Cleopatra
Take me to the fires to burn
Save your passion and your kinship
Take me to the flames the flames
The flames the flames

Pay my price in pearls of wisdom
Tell me stories of my fame
Scented oil on troubled water
Take my love in vain

Break the heart break the heart
Break the heart of my very soul
Cast it on the desert sand
This dance catches fire with me

Take my body clean of blame
I am the heat inside the flame
Take my body clean of shame
I am the heat inside the flame
I am the heat I am the heat

Play my song the serpent whispered
Golden skin and eyes of flame
Painted heart and painted nails
She ran her fingers down the scales

Just back from the snake dance baby
I love you when you shed your skin
Just back from the snake dance baby
Open the door lets go in

Just back from the snake dance baby
I love you when you burn me up
Just back from the snake dance baby
This dance catches fire with me

Snake dance

The March Violets

English gothic rock / post-punk band from Leeds, emerging in the early 1980s. Their debut album Natural History was released in 1984. Early career noted for association with Andrew Eldritch and the Merciful Release label.
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