Mc Sampyr

Hearing the criticisms of an author's Italian seems out of place to me; it's music, not school!!! I'm not a huge fan of Vasco (even though this album is nice), but damn, everyone speaks as they can!

Go ahead and go too, otherwise we'll end up in an economic crisis.

general behind the station / they drank me for a cannon / and in the middle of the square there’s a patrol / of the national police / convinced that grass is a bit illegal / whether it’s good or bad I don’t know, I just know it’s rare... / motherfucking aaaaaaaaaa

we are all systems and even anarchy and the counter-system and the no-globals and we b-boys are our/its own systems (would you ever go against yourself just to hurt the nix system?)

Moreover, a fat guy sending a video of a song like "Anguilla" to MTV, which among other things lashes out against showbusiness and the commercial music market, IS A JOKE.
I stand with the losers when it comes to the cops; I hate them too when they search me or bust certain acquaintances for dealing... BUT GODDAMN if you're surrounded and a patrol passes by... MAY GOD BLESS IT.
In conclusion, I find the sequence from Battleship Potemkin in the second tragic Fantozzi much more revolutionary than the entire discography of Zulù&coo.
What is more revolutionary than Accountant Fantozzi Ugo kneeling on chickpeas for three days before a superior, even bringing in the police and the director of directors, being cheered on by his colleagues who have always mocked him with the name "Hero," and called the same by his greatest love, Miss Silvani...?
This sequence stirred me up much more (even if it ends badly) than La Vida Que Vendrà by 99posse...

I also had an exhilarating year in the square; Ska-p-, Meganoidi, 99Posse, Modena City Ramblers were our musical legends. We were the scruffy, awkward militants, greeting each other with "compagno"... I, El Comandante Sette, knew Rigurgito Antifascista by heart. It was fun... but many things changed me.
1) Girls were scarce.
2) The fascists were starting to get pissed off.
3) I didn't know about hip hop.
Can you believe I thought it was Hip Pop, and for me, Caparezza was the best expression of rap...?
Then I cut my hair. I learned more about Zulù, Meganoidi, Subsonica, and Ska-p-, and what I discovered I didn't like...
I delved into the topic of the Roman youth left, between girotondini, giovani ds, and giovani comunisti, and I didn't like it... I tasted the disdain from the fascists, and I didn't like it... then I discovered hip hop, and I liked it.
This brief inner story taught me an extremely important aspect of life:
to be critical.
Zulù says what an excited kid or a crowd in the square wants to hear, making a horrible mix of different genres to please everyone and sell more.
But this is not coherence, this is not militant music.
This is business.

I know, if you read the interview in the deep dives, you'll also understand why.

there is a great reality emerging over the romantic and passionate despair of this group and Anna Varnish:
"love me"

sure you can (permalosina?;) I just want to say that Marcio is a recent discovery, and he's really great, and to truly understand who he is and what field he raps in, you need to listen to all the others as well... don’t worry, sweetheart, I don’t want to get on your nerves

beautiful shit growth...