ubik

Yes!

I had fun with this movie. I was prepared for a disturbing dreamlike atmosphere like "La montagna incantata." In the end, I ended up enjoying it like a comedy. The final part, the village of the Rich Bad is really hilarious. Yet this also manages to draw you into the story until the end. It's a good trip, Jodorowsky.

Perhaps you’re right; after a while of listening, I share that it might be the best of all the collective's works. The emotional factor remains. The first time I heard Animal Collective, they captivated me immediately with their psychedelic anarchy, which I found to be thoroughly enjoyable and not just conceptual. On the contrary, instead of being pretentious or snobbish, they even seemed a bit naïve to me. Of course, it’s a subjective matter.

I quote vortex (only the second post).
(never had living rooms, we live in a two-room apartment, if anything we can share stories from the punk era from the kitchenette)
If there are 'punks' telling from their living rooms that these fucking records
""were found for two euros at my friend's store when they were giving them away because no one cared.
nothing to anyone"" they are talking nonsense because these fucking records could be found, if you were lucky, at the 'alternative' store in the city at a price in LIRE (because they were rare and often imported) if not, you had to hustle to order them by mail with related shipping costs
so the records were bought when money was found, and off we went with C90 swaps.
I won't quote you, vortex, the second post if the kids now download music for free screwing the majors. Good for them; very punk
Good Life to all

I only got this album today and after an enthusiastic listen, I felt the urge to look for something on Debaser. It’s a shame to see the discussion already finished; they aren’t very well-known evidently, given the low number of comments. I’m sure time will do its part in giving shine to this record like it has for the other works of the animal collective. I don’t know, dear reviewer, if this beats records like Here Come the Indians (my favorite), or the others with Avey Tare, but it certainly doesn’t pale in comparison. I’m on the first listen for now, and that’s enough for me to define it a masterpiece.
Impressive carrots—a long journey through psychedelic tribalism, with a rhythm that at times reminds me of Kraut Rock. Perhaps because of this, if you pay attention at the end of the track, you can hear in the background the electronic roulette of the old Kraftwerk. Fabulous. Well, if anyone would like to spend another couple of words—

The Residents say Sanjuro (the ones inspired by the first Frank Zappa)?
Yes, I also think they are among the greatest bands of the 70s, but after Eskimo I don't remember anything memorable. Why don't you evolve a bit?
Evolve? What does that mean?
Fontanelle, like other gems of Punk or hardcore, is a masterpiece of a genre that is certainly not less original than others, quite the opposite...
Then whether it was written 'with communicative urgency' or deliberated with meticulous artistic attention, I don't care much; what came out is still a masterpiece.
I was only talking about the intro of the first piece that imitated the guitar (very singular in metal by the way) of Voivod.
Which is, in fact, the same, before continuing in a completely personal style or anyway not less than any other artist in the history of rock and beyond.
You know that if copyright existed in the 1700s, "The Magic Flute" would never have been released because of the continuous citations?
That’s the history of music.
Sorry if I’m interrupting, but one can also evolve in dialectics. I talked like this at 15 years old for 'communicative urgency' of nihilistic contempt; then I evolved, even if I continue to listen to punk (besides the indie music from the 2000s, don’t worry).
A post full of insults, even if it contains cultured citations, is no less unpleasant.
You might say, "What the hell does that have to do with you?"
You know...
Aside from the fact that reading insults in a discussion about an album, just for musical tastes—even if directed at people I don't know—irritates me.
Moreover, you insulted a genre (one of many) besides the album that I love, so I felt involved.
However, I believe that if you framed it differently, there would be more points of agreement than disagreement. Someone who loves The Residents cannot be an asshole as you seem (and I don't understand why) to appear.
Peace and Love.

The Residents say Sanjuro (the ones inspired by the first Frank Zappa)?
Yes, I also think they are among the greatest bands of the 70s, but after Eskimo I don't remember anything memorable. Why don't you evolve a bit?
Evolve? What does that mean?
Fontanelle, like other gems of Punk or hardcore, is a masterpiece of a genre that is certainly not less original than others, quite the opposite...
Then whether it was written 'with communicative urgency' or deliberated with meticulous artistic attention, I don't care much; what came out is still a masterpiece.
I was only talking about the intro of the first piece that imitated the guitar (very singular in metal by the way) of Voivod.
Which is, in fact, the same, before continuing in a completely personal style or anyway not less than any other artist in the history of rock and beyond.
You know that if copyright existed in the 1700s, "The Magic Flute" would never have been released because of the continuous citations?
That’s the history of music.
Sorry if I’m interrupting, but one can also evolve in dialectics. I talked like this at 15 years old for 'communicative urgency' of nihilistic contempt; then I evolved, even if I continue to listen to punk (besides the indie music from the 2000s, don’t worry).
A post full of insults, even if it contains cultured citations, is no less unpleasant.
You might say, "What the hell does that have to do with you?"
You know...
Aside from the fact that reading insults in a discussion about an album, just for musical tastes—even if directed at people I don't know—irritates me.
Moreover, you insulted a genre (one of many) besides the album that I love, so I felt involved.
However, I believe that if you framed it differently, there would be more points of agreement than disagreement. Someone who loves The Residents cannot be an asshole as you seem (and I don't understand why) to appear.
Peace and Love.

Great review, okay.
Question, but hasn’t anyone noticed that the guitar in "bruise violet" is pretty much identical to Piggy's from the early Voivod (sadly passed away not long ago)?
A tribute, a reference, or what?
It's not possible to be a coincidence, and it’s the same, anything but vaguely metal.
Anyway, a masterpiece.

the votes actually the vote