Album indeed overrated.
Let's pretend to approach this LP as if it were released today: immediately a "Heart and soul" overwhelms you: a metronome-like drum, a guitar that wearily accompanies the rhythm: simply a masterpiece, the essence of Joy Division is here. "Twenty four Hours" takes you into that dramatic time/space that made me cry so much back then: OK? Lovely disengaging tail. "The Eternal", swarms of insects accompanied by Peter Hook's bass immediately brought back to the psycho/depressive essence of Ian Curtis: I have no words for this piece. Warning "Decades": grand organ gusts that break the absolutely funereal rhythm of Curtis: another masterpiece, isn't it perhaps from here that certain Disco-Music was born? (New Order, of course).
"Atrocity Exhibition" is absolutely terrifying in how it combines an acidic wandering guitar, a gasping drum: nothing phenomenal yet the result is chilling: there are sounds like "The Thing" by John Carpenter when the beast emerges, I don't know if you get the idea. "Isolation," oh! finally a normal song: rampant bass (aaah! what a bass) accompanied by icy organ gusts, "Passover" and "Colony" are nice pieces, for heaven's sake, perhaps a bit too influenced by Interpol and Editors (funny, huh!). "A Means to an End", great: I can physically see Ian Curtis desperately thrashing around to the rhythm of this song.
I only wish that those who approach this album are at least 20% satisfied with what was (I) felt at the time of its release. That would be more than enough.
Ian Curtis was about to become a living legend. He lucidly chose to limit himself to being a legend.
You collapse to the ground, a scream frees you from a burden.
It is 1980. Punk is dying and with it the little good music ... when suddenly, in less than a year, an album is about to change the course of contemporary music forever.
The glacial beauty of the album is indisputable due to the ruthless sincerity it suggests.
"Closer" is a journey made of nightmares, sadness, physical and mental stimulations; the musical transposition of the agony of the most charismatic leader rock has ever had: Ian Curtis.
All we have left is to listen to this musical masterpiece and appreciate its excellent craftsmanship, both in terms of lyrics and harmonies.
Closer is the testament in which Curtis invites us to explore the roots of his illness and his apathy towards life.
Joy Division has the power to tear you apart, to gradually consume you with their melody that backs you against the wall and forces you to face reality for what it is.
‘Closer’ is a truly difficult album to classify, but probably not to understand... I personally prefer to classify it as dark, just dark and nothing more.
‘The Eternal’ is a funeral march, accompanying Ian Curtis on his last journey... the heart is now definitively burned but the soul is still here.