Massimof

Fidias, since you are serious, I will be serious too (as always, after all): I admit (rubbing ashes on my head) that I have only listened to the first self-titled album from the '80s by these guys. In fact, since I'm in the confessional, I'll add that I got a bit excited when I heard 18&Life on Deejay Television. I was almost about to record it from a SuperClassifica they were playing on the radio (ah... this was our "downloading," but at least it was legal, even if it was damned difficult to "cut" the song well without those cursed voices of the DJs and the radio commercials themselves). Anyway, I was saying, just as I was about to hit REC, a guitar riff burst out of the Grunding Stereo that anesthetized my eardrum for a few seconds. Shock! Who were they? AC/DC... from there, a whole new world opened up... Led Zeppelin, The Who, Deep Purple, and so on. And afterwards, when I went back to listening to the blond guy, you understand, he seemed a bit meager, so to speak. But if you tell me this Slave is a True Power, I could try to listen to something. However, I'll always have that bleached teased hair in my ears... (yes, you read that right).

Mootto, mootto good the review!

It makes me as mad as a mountain goat that has slipped (being aware, I, the goat, that I shouldn’t slip since I’m “mountain”) into a gorge full of sharp and hard thorns reading this so-called review written, among other things, by an idiot with a ridiculous nickname. Everything is unbearable, except for the album, one of the masterpieces of the '90s. P.S. what a nickname, SuperStronzo!

The cover gives me chills just looking at it. "Environmental" review! Just out of curiosity, where do you find these records?

One question only: what is the "their" gender in which they have remained in history?

A truly interesting and elaborate review with an opening that is completely out of place and off-topic. My rating for the review: without an introduction, a solid 5; with an introduction, a poor 3. Be careful, I neither defend nor know the encyclical, but I ask: what's the point?

In my above comment, I was thinking about cars, honestly! The story about Miles Davis is charming as a testament to his... charisma. Regarding the nickname, alright, let's try not to step on each other's toes :-)

The premise is fantastic, revealing of certain "malatoni" in search of some group/singer that the majority doesn't know. Socrates, I'm a malatino too, but every now and then I have doubts that certain artists are on that "ridge" because they couldn't break through on their own. In short, my personal opinion: nowadays, especially in the internet age, it's pretty hard for there to be an excellent group or singer that remains hidden from most. It happens, of course, I know some. However, thinking it over, my favorites are known by many around the face of the Earth... I visually remember the cover of this album... now let’s also try the content.

I caught a glimpse of them... they liked it. I agree on the goodness of the "project." Of course, if you mention Ry Cooder from Paris Texas... it makes you want to buy it.

Symbad, for almond-shaped eyes, copying will surely be a sign of respect for the master, but in doing so... who will benefit from the profits of the copied work? Anyway, too serious! A nice review (thinking back, the Japanese copy much better... let's just say they usually surpass the original) for an album I don't have, but with this description song by song, I'm tempted to listen. By the way, are you the one who always raises the bid for a certain type of records on Ebay?