odradek

What a magnificent evening! It must have been truly beautiful, what a shame not to be there! Thank goodness Kylie is doing well now, in fact the world has unlocked! You know, I still can't decide who I prefer between the princess of global pop and the queen of the clubs? As time goes by, I like Dannii more and more; it's a dilemma I fear I will never resolve. But who cares, they're both amazing artists and we enjoy both of them!!!

I don't know if you are painfully trying to pretend not to understand or if you really can’t, too busy defending yourself and trying to seem aggressive. Well, good for you.

As for the little page, dear Pigro, here we go again, maybe even "worse": you start from assumptions that are entirely your own (who ever thought Vecchioni was an avant-gardist, and what’s this thing about being a gregario? Do you conceive the world of light music – because that's what you’re talking about – as a team relay race?) you craft, always in the same way, a criticism based on the opposition between this and those, where this is the unfortunate one and those are the cornerstones, and you reiterate the usual concepts. But what’s the point? Setting aside the truly questionable premises (by the way, Vecchioni is not at all erudite, he’s just one of many professors who have written songs) what comes out is a rather childish and monotonous view of a cultural phenomenon (which is what it is, they are songs, and let’s put an end to this nonsense about culture once and for all) that in its now long history offers a variety of possible analytical and argumentative approaches that allow for much deeper considerations. If we want to talk about Vecchioni, about his songs, which I couldn’t care less about, we can do that, but just the thought of it already bores me. Take care.

Eh, yes, teenagelobotomy, maybe a little less. I'm afraid they've gone overboard with the lobotomy; you seem a bit aggressive... In the meantime, take a walk, try to breathe; as soon as a war breaks out, I'll call you and we'll vent in the trenches, come on.

This thing about "cazzimma," you've made me think about it, it seems true to me. Now I’m listening to it, thank you. Very nice cover.

And in 2 minutes from Bandcamp on your PC. Now let's feel the spiritual Doom.

Because you have it, the heart. I am all burned out. And I envy you, all of you who are in this bar.

Well, the nursery rhyme is right, don’t cast it aside, maybe you could’ve done it all in rhyme. I see you less relaxed and more serious, it’s clear that it’s commissioned work. But you say true things, it seems to me, that I’ve annoyed many with this film, but it’s been years since I’ve seen it, maybe if I watched it again I’d tell myself maybe you were exaggerating, it wasn’t the case, what did you ever see in it that was so significant... - Anyway, thanks for writing it, well dressed, even groomed, it seems to me. I remember that right after you saw it you wrote in some post something like it was anguish or a burden, and so I thought that was the review... so one time.

Beautiful, the first cd... nice and straightforward. Thank you.

Hey Grant, are you excited? I'm giving it a try.