odradek

Oh my god, but you really have style. Too bad you're talking about stuff that I care about not at all or just a little bit more.

Having read the page, which is as beautiful as always, and the comments (vitalized by Barracuda, who says things I find quite agreeable), and having appreciated the now rather unusual appearance of fusillo and psycho, I point out that when clicking the arrow to see the video, the message "this video does not exist" appears. As I suspected, it was just a dream...

I've never covered much, like many others in the bunch, but I'm also intrigued by the taste of rainbow. For those equally curious, I found the album here: TheRightEarOfNash: The Mix Tapes: The Verve: Voyager 1 As soon as it settles, I'll give it a taste. Thank you.

A user's comment on a blog about this album: "All the smokes have been smoked." I will listen to it. How and where you intersect your flow on "past/future in absence of present" remains a mystery, but it’s your business. Bye.

While I was downloading it (you convinced me), I came across this nice screenshot, or frame (I suppose cinemAleradio knows their stuff), which I find amusing:

The entire text is pleasant and effective, but I found the images used to define both the effect of the listens proposed by Zanna and the color of the ice cream in exotic flavors sublime. Masterful.

Good record, one of the few "rock" albums from Italy that I kept in the shop during those years, and, incredibly, sold in multiple copies… @Buzzin' Fly well, "...Red you're not an idiot..." are you sure? Bah, I'm throwing down a pity blanket.

Not so strange, Mojo, at least in this case: it seems to me, rather, an inevitable consequence of facts. I don't question the sincerity of your intent, but... Here on DeB, the Pavone has never really been discussed (in fact, perhaps it has, I certainly did years ago in the comments at the end of a page), this was an opportunity to indicate also unprecedented viewpoints on a character who is entirely non-trivial, in the context in which he worked. And to emphasize an extraordinary and unique vocal timbre, a clarity and power that have rarely reappeared. By immersing it in the usual broth, you hinted at some things that those who know his story have grasped; for the others... who knows. These are your things, that's fine, you like it this way, but the way is so uniform, the tone so assimilable, in almost all your pages, that inevitably at the forefront you are always "you," whoever the subject of the review may be. I hope I have made myself clear and that I don't come across as polemical. Bye.

I must quote Sandro Giacobbe, particularly on "...does not do justice to Rita Pavone." And that's a shame.

Beautiful record. More recently (2000), he has confirmed his interpretive qualities, administered with greater rigor and immersed in a very refined sound spectrum, in another great record that I recommend, also reviewed in DeB, An Acrobat's Heart - Annette Peacock - Recensione di ecioso and in a subsequent, equally valid one, "31:31" (2006). I won't delve into the thicket of defining avant-garde and the possible related deviations; instead, I quote (and how could I do otherwise, coming from that pulpit) the comment of imasoulman.