odradek

Hey, look who it is! Thanks. Everything okay, Cleo? Where have you been? I've recently had a compulsive reviewing spree during the gaps at work (which is killing me). I hope your absence is due to more pleasant reasons...

Antmo, I want to go there too. But I want to go there with you, like in the old days, in those smoky brothels, where all the girls knew you, where you had your room booked. Come on, please, I’ll pay....

@ Roby86: thanks. I believe that in this case the samples give a pretty good idea... - @ Messer Sfascia: always kind, but let's focus on much more serious matters: are we celebrating or NOT? P.S. but these lumbards keep insisting... - @ Antmo: why did you remove the photo from the profile? Why? - @ Styx: they are quite different, but Mr. Susumu seems to specialize in diversity. Thanks for the appreciation, you're making me blush... - @ Festwca: did you see? Here we have practically two little reviews (besides a post-prandial dozy introduction in the countryside) and only 2,903 characters! I’m trying, thanks for the encouragement.

There is a lot of passion in the description that ventures even into realms too learned for my limited capabilities (Tatarkiewicz, who is this guy?), and it reaches the reader intact. And this is good and right. - I haven't listened to La Cavalleria since I had long hair, so I vote only for you.

Well, Lynyrd Skynyrd... I confess I've listened to countless versions of their songs at many small band concerts since the mid-seventies, but perhaps I've never really heard any of their albums, or maybe I have, but probably without appreciating them, obviously. This album from the '90s doesn't even represent them, as you point out, and if we're talking about them, I think it's the old hits that are worth it. What I remember is perhaps an imagery of prairies and woods and checkered shirts, which seemed to be what my peers were longing for. Even back then, however, I was a die-hard city mouse, rather reluctant to that kind of bucolic poetry. Only today, perhaps, could I listen to them. With a different perspective. Maybe stimulated by the reading you provide. Excellent page, as usual, Alfo.

Geenoo, concise can be done (but maybe I'm not able to, or maybe I just don't feel like it..) but what does poetry have to do with it? There's really no trace of "poetry" or the many poetic attempts you find on other pages. You come to tell me this? Anyway, I'll try to be at least a bit more succinct. Bai bai.

@flavio: ?? I see that you've pasted this sentence on another one of my pages as well. So I went to read the reviews on Ondarock for the two albums. And I don't think there are any similarities. Sure, the albums are the same, but apart from that, do you want to say anything else? The one about Matmos is written very well; the young chap is definitely very cultured and knowledgeable, certainly more than me (this is the first album of theirs that I'm listening to in full and I got it after reading a comment from Svariopinto). The one about Adem describes the tracks a bit more and, quite obviously, refers to the idea of a journey in "space" (with a title like that...) So, Flavio, were you insinuating something? It's not very nice on your part, given all the cases of people who have published things in here that are copied word for word (or almost) from elsewhere. But maybe you know something about it, right? In any case, it would be better to be explicit, don't you think? Bai bai. - P.S. I don’t really like Ondarock, it's too similar to magazines, which I rarely buy or read. But it’s useful if you’re looking for information. Like many other sites, not just Italian, dedicated to music.

ZiOn, this wasn't bad at all. You're a good guy :)))

Thank you, Specialist! As soon as I have time, I'll throw in the right ones. C U.

Hi, zzzzzzzzzzzzzz & Sfascia. - Ooh, by mistake samples from another album appeared. Is it possible to delete them?