odradek

Certo! Inviami pure il testo e procederò con la traduzione.

How beautiful. I was about to log out and I'm really glad I took a look at the homepage. Of course, I don’t agree with Iside. Good writing is a pleasure; why always freeze it? Dulces I didn’t see it like that.

On Tom Jones? And who has ever heard of him? Look, I was just joking, I haven't listened to Tom Waits in ten years. It puts me in a bad mood. Only techno, usually. And a bit of neo-melodic stuff in the car. For reviews, I rely on the records my wife listens to, all strange stuff. And if I trash them, she gets pissed off. And no, look, really, I wouldn’t be able to do that. I have a soft heart; if they really suck, I end up feeling pity. In short, to each their own. I’m in the boring, loquacious sector. We write, we read, we joke around sometimes. And time goes by. At Villa Arzilla, that's how things are. Now I’m heading out into the vast cruel world. Goodbye.

18:53: the game is over (without starting) Too bad? Well... I was thinking of a quick fling, but it didn't happen. So it's better to let it go; when it gets cumbersome, I don't like it. We ultragay people are like that, volubbbbile - Anyway, this triple of Tom Jones sucks. Don't be fooled by this review.

I believe you, Jim. But it's the sum that makes the total (Totò Dixit) I'll watch you for a while...

This review is lovely. The album is very nice. Why are you arguing here, in front of everyone? You’re so cute, but not everyone understands certain perverse forms of love :)))

I would have never imagined reading a review of David Bowie on Fear Of Music... Who knows what Lou Reed thinks of the first Feelies album... - These and Remain are my favorites. But the freshness of the early ones is magical. The cover of the vinyl was embossed, and more than a wall, it resembled one of those metallic pavements found in public places. I'll copy and paste the comment on the other great review of this album: Well, for me it’s the album with the highest concentration of talkinghead-ness, very close on a hypothetical value scale to Remain in Light (another undisputed album, but more hybrid) and within the fundamental period of a band that also released great dense albums in their first two works. But this one is the most "nervous" and perhaps today feels closer to the idea I have of those years, of those sounds.

Nick, for the opening use the words of Waits that Stronko used. But not in that order. And mix them with some of your beautiful ones. Something will come out. But don’t tell us, damn it. Are we finishing this review by 7? Come on…

Jim, damn, could it be Tiberio Murgia? Blessed be his name.

Ptr Stronko, can’t you catch one? I never said your two were the same. Did I? I didn’t even think about it. I said that the one I had in mind was something different, shared and with rules. And gentlemen referred to that. Then the reviews of invented albums were a joke, and there I didn’t say gentlemen. And I didn’t say failed or cheating player either. What are you doing, cut up at will with some blending and random additions even with others' posts? Uff...