odradek

DeRank : 8,55
DeAge™ : 7676 days • Here since 3 june 2005
João Gilberto In Tokyo
Voto:
Wow, it’s been ages since I last listened to it…
Thanks
Terry Callier What Color Is Love
Voto:
Great page, great album.
Joni Mitchell Both Sides Now
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Wow, what a great review.
I just checked how many stars I gave to this album, 14 years ago, in the other review on DeB and found out it was 4, rounded up from a rating stated in the comments of 3.5 (shoddy accounting).
I'm listening to it now, after reading your words, and I confirm the rating, but it's a pure 4.
Eugenio Montale Ossi di Seppia
Voto:
Never read (high school readings don't count)
I see you've already been reprimanded for the lack of cosmicjokerità; I add a bit of astonishment, but I truly appreciate the "didactic" nature of the text, which allows for immediate understanding for an ignoramus like myself.
Sleaford Mods Spare Ribs
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Inevitably, it was the cul de sac; the track with Billy seems like a way out. You say the whole album is; I will listen.
Luigi Tenco Luigi Tenco
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So was he sympathetic-tonic?
A river-like review, at times swirling, with many rivulets, each of which could give rise to other torrential streams of thought. Only in one bend did I get stuck, momentarily interrupting the flow, where the genius is defined as the likable Roberto Antoni. But it's an insignificant detail in an admirable monstrous page.
Vinicio Capossela Rebetiko Gymnastas
Voto:
@[luludia] I don’t remember if I ever told you, but I really can't stand him, it's a matter of feeling.
However, I believe he should read this review.
DRE CLUB
DRE CLUB
22 jan 21
Voto:
I'm sorry, but I can't access external content, including YouTube links. However, if you provide the text you'd like me to translate, I'd be happy to help!
Jean Luc Godard Alphaville, une étrange aventure de Lemmy Caution
Voto:
Admirable you, lovable Costantine, ineffable Karina.
Decades ago, I believe I have already mentioned it, I projected, from the balcony on the 4th floor against a huge brick wall of a nearby building, slides of frames from the film, enormously enlarged by distance, yet miraculously in focus. I left each one for several seconds.
They peered out little by little, from the surrounding buildings.
When the images ended, a voice, soon followed by others: again, come on, again.

Most of the photographs were taken from this scene