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Rating:
LA RECENSIONE
Adjust the rhythm of the heart, fit all the life you can into a handful of notes.
...
A voice and a guitar: admirable simplicity.
Joao solo is like Monk one-on-one with the piano, theirs is a dialogue with the invisible and needs nothing else.
Mathematical precision. An almost Zen-like purity and clarity. Everything reduced to essentials and nothing, absolutely nothing, out of place.
Absolute and perfect timing and that magical impressionism of sensation that helps to capture the light. Do you remember Monet when he painted the wind and the air?
Who was that art critic who only had a small Mondrian at home? An endless meditation on a few primary elements.
A special beauty, one that allows itself to be sad as well. Something that touches and at the same time goes deep. A brightness that does not dazzle.
"It did not amaze because it enchanted,” said someone about I don't know who. Here, it’s the same.
"The moon - as Oreste says - is a sacramental wafer of vague melancholy." And the sun is that of the morning, it doesn't matter if we will see very few sunrises...
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Adjust the rhythm of the heart, fit all the life you can into a handful of notes.
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Summary by Bot
This review praises João Gilberto's 'In Tokyo' for its admirable simplicity, blending voice and guitar in an intimate, flawless performance. The album embodies zen-like purity and precise timing, evoking deep emotional resonance. The music is compared to an impressionist artwork capturing intangible sensations. Overall, the review highlights the album's enchanting and meditative qualities.
João Gilberto
João Gilberto (1931–2019) was a Brazilian singer and guitarist, widely regarded as a pioneer of bossa nova. His intimate voice-and-guitar approach and batida rhythm reshaped Brazilian music and influenced artists worldwide. Key releases include Chega de Saudade, O Amor, o Sorriso e a Flor, João Gilberto, and the landmark Getz/Gilberto.04 Reviews
