odradek

De Lorenzo, I would like us to meet face to face.

True, as far as I know it's their best. I sold several copies of it when I was pushing music. I wonder if I still have it...

I know I'm repeating myself, but repetita iuvant, sometimes: "the answer is within you mapperò is wrong."
@GIORGIOLADISA: could you take care of a third-party purchase? Caghicchio quite a bit, lately. Thanks a lot.

But come on, Messer Sphascia, <...."Into The Labyrinth" by Dead Can Dance one of the most intense, magnetic, and fascinating albums I've ever had the fortune to hear>? Never, never, never would I have suspected such tastes in stritolalamiere debasico... - I think I threw this into some subfolder and left it lying there for a while. I don’t even know if I’ll dig it up again. The surprise caused by Your De Pagina is enough for me. Greetings and kisses.

@ Pixies77: if you keep this up, I'll blush... - Thank you so much for the links.

The "film" is actually a TV series. Maybe it would be a good idea to read before commenting. - @Pixies77: is it airing on any pay TV in Italy? If not, is there any link with the subtitled episodes?

The Ghost Of Tom Joad.

but indeed!

@ Supersoul: thanks for the link, the video is lovely. And, if you think about it, this kind of record isn't very different from the painting of Avida Dollars... if one wanted to place his work in a serious art history, it certainly wouldn't find much space; in the more shared and widespread art scene, he's a well-known and admired name, often even abused with the unfortunate term genius. It's always a matter of contexts and correlations, IMHO.

Come on, Super, it's not "...one of the most original of this decade," it's a rather original product within its category, entertainment music with a vaguely electronic foundation, featuring a fairly varied spectrum of solutions, attention to detail and sound, enjoyable without excessive fluff. One shouldn't expect this kind of product to fulfill functions that it doesn't even dream of having. But if you choose to analyze them, the correct way, in my opinion, is to place them within the context in which they were born, not to compare them with other things. In that context, in 2007, it was a good album, perhaps among the best. The emphasis and apologetic tones trigger my hives regardless, just imagine if I think they should be spent here... Anyway, I listened to it again yesterday while working, and I confirm a score between 3 and 4, though with some reservations about certain tracks. And today, while driving to the lair, I revisited the first album by Death in Vegas, "Dead Elvis," which I hadn't heard in years, and I must tell you... Bye.