ajejebrazorf

DeRank : 3,31
DeAge™ : 7683 days • Here since 29 may 2005
Moondog The German Years 1977-1999
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I have nothing to do with it, but in fact it's all so obvious. I would add that he is a nice humorist, for his latest reincarnations.
Queen Jazz
Queen Jazz
5 oct 06
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Pretà, on Queen you are definitely not being objective (said by another one who grew up with Queen) :)
"Exciting mustaphà" is truly from a crazy fan.
The La's The La's
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Another group that I would like to hear from for quite a while. Nice little review, but a bit brief. Samples would be appreciated, yes.
Queen Jazz
Queen Jazz
4 oct 06
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"no one will stop me" ...wow!
Francesco Guccini Anfiteatro Live
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I was there: definitely forgettable. A musically very tired Guccini. In his partial defense, the setting—a theater where he and his music seemed like a fish out of water. Moreover, it’s pointless to hide that it seems quite clear he has nothing more to add, and that his time has passed. A serene man who (it seems) is at peace with the world, too much so to still say something interesting. As a live performance, clearly his worst. @Duane: maybe you missed something from the other review?
Keith Fullerton Whitman Recorded in Lisbon
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beautiful, and despite its length, it's a page-turner (I opened the page first but I got scared). Many people are now speaking very well of these, I think I'm interested. And I think I already have them in stock...
Francesco Guccini Metropolis
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Just imagine, Grass! For the record, I'm a die-hard Guccini fan too, and I fell into the misunderstanding about the line from "Addio" (there’s a rather silly comment of mine regarding this on your review, while my judgment on everything else about Stagioni remains unchanged). In reality, I now believe that Guccini has NEVER talked about politics, not even in "La Locomotiva," nor in the song for Che Guevara, which is, by the way, of rare ugliness. Rating this album a 1 "because Guccini is political" is simply nonsense. One might give it a low rating from a musical standpoint; anyone who doesn't love singer-songwriters for their musical banality has every right to steer clear of Guccini and this album as well. But not for Duane's reasons: by the way, aside from the political discussion, I may be forgetful, but I can't recall a single curse uttered by Guccio, you know?
Francesco Guccini Metropolis
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Don Quixote politics? Huh? Aside from the fact that I find that song embarrassing, (:D) what’s the most political line? Maybe "we will spit in the face of injustice day and night, we are the greats of La Mancha, Sancho Panza and Don Quixote"? Wow, resurrected Marx. In "Goodbye" there’s a hint, which is more against opportunism (ā€œto those on the left and democratic but are friends with everyone because you never knowā€), it's certainly not political. And STOP. In about twenty studio albums plus live. But come on.
Francesco Guccini Metropolis
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"he made two songs that talk in a very romanticized way," in the first line, otherwise it makes no sense. Anyway, I wanted to say again: politics. Damn, how much the edit would be needed.
Francesco Guccini Metropolis
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And the confirmation that you don't know what you're talking about comes from the fact that you believe Guccini is a political singer-songwriter, when in his entire career he has made two songs that then talk in a very romantic and fictional way about politics. Politics, if we can call it that: "la locomotiva." And the other dreadful one dedicated, in a tone anything but political, to Che Guevara: a Bolshevik revolution in music, right? Guccini has made existentialist music; De André, for instance, is more political—imagine how political Guccini's music is.