puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8169 days

  • Contact
  • Here since 21 october 2003
Voto:
But what do you mean by "nothing to do with"? They have "nothing to do with" Orietta Berti, but the Snot and the Soad are very similar; they make the exact same type of music, they use the same kind of riffs, the drummer plays roughly the same lines... the only difference is that Snot did it two years earlier. They also thank Fear Factory, of course, but after thanking the record label and their respective moms. The Snot thank them first, before the record label, before their mom. There must be a reason, right? Don’t listen to the total sound, break it down one by one, and see if there aren’t similarities; it’s obvious.
Voto:
"It's a shame, going on the rap game, all is for the money and the fame.... Cause you are... PAPARAZZI!!"... and the best part is that the one who sang these words was hosting the MTV Award this year.
Voto:
Well, it surprised me too, but I knew it would surprise me :)). One thing is to listen to an album that you already know comes from the hands of a genius, another is to hear an album just like many others. Funcrusher Plus wasn't sponsored by anyone. No featuring, no advertising, no video, nothing at all. They had never even made a cameo in someone else's video; they came from absolute nothingness (you know what I mean, every new group always has someone from the past behind them, but not them). I stumbled upon it by chance; Fabrizio from Good Stuff recommended it to me, a mail-order that shut down thanks to Napster. Since he insisted, I accepted, ordering it instead of "Once Upon Time In America" by "Smooth Da Hustler." When it arrived, I listened to it with skepticism because they were nobody, and I was blown away. Blown away, with each track I thought, "What the hell, this isn't Rap," and in fact, it wasn't rap, it was THE rap. It goes without saying that when I listened to Smooth Da Hustler, I blessed good Fabrizio a million times. Nowadays, something like that couldn't happen anymore because you order with a click; back then, sometimes I spent an hour changing my mind over the phone. Zion, does AL still exist? I didn't buy it because Brignole was a damn West Coast dude and Paola Zukar was a total idiot... but I read it for free :))
Voto:
No, wrong, the first is under Funk Romano, the second Blue and the third Violet are under Funk Romano + Mandibola Records.
Voto:
Ah Giò, I'm sending this to you Fallato, I’m adding the Outtakes and the Remixes from the Taverna (if I remember correctly, there’s the touch of Piotta and Dj Squarta, maybe even Turi, but that’s very uncertain). I have the original on Purple Vinyl, signed by Simone (let's show off a bit...), maybe I’ll scan it because it’s amusing, he wrote to me "Dajjeggiù de brutto!". It’s the album I’ve bought the most times in my life. I got it as soon as it came out in the orange CD version (the one on this cover) under Mandibola Records, then I did a trade adding 5,000 lire for the blue CD version, which had the four remixes, and then when the double Purple Vinyl came out, I gave away the CD and bought the double. Not to mention I also have the original demo on cassette of "Stappali & Scuotili", recorded in Mister Puzo's room.
Voto:
Before bothering Zion, I would review the Rapadopa :D / Gio, I'm sending this to you very willingly / zzzzz, only fragrant things for you, can I be your Arbre Magic?
Voto:
One of the best Hard Rock albums of the 80s without a doubt, I stick with the Fuzztones but this album is also amazing. Guns brought back the Hard Rock attitude to the charts, Europe, Bon Jovi... they really tarnished Hard Rock, spending more time at the hairdresser than at the bar, which is very un-rock 'n' roll, and quite gay. They brought rock back to the masses, which is a great merit in my opinion. Then they released a lot of useless little records, but never mind, this one is enough and more.
Voto:
I still remember how shocked I was when I heard that Company Flow had split up; I still remember how stunned I was when I read on ughh.com the news that El-P was going solo. I still remember the impact it had on me when I heard this story. It’s perfect, there are the new way tracks and those old way ones (B-Boy Alpha has that mid-90s vibe... stunning). The only album comparable to the unbeatable Funcrusher Plus, it doesn’t surpass it just because when Funcrusher came out, people were saying “What the hell is this????” We were ready for that, considering Mister Producto was involved.
Voto:
Well, Easy, you're right, okay, since 2000, only a few groups have emerged. But we still have 6 years left. Usually, the best comes towards the end; in '67, it was a mess, in '77, it was a mess, in '87, it was a mess (Rap & Crossover), around '97, Post-everything was born, the new rap was born, Napster was born. Let's see what happens in 2007 :)) / Kosmo, you're either with me or with my brother; he uses that phrase but ends it with "that's why it's a shit record." If you end it with "but the record is bomb," then there are system inconsistencies. You have my brother’s registry key, but the ".exe" is mine. Jokes aside, (which only PC addicts will understand :D) I also think it's true that remixing after 15 years is easy; however, some people know how to do it well, and they did it well, and it’s a nice CD. My brother, on the other hand, has already labeled it as "colossal crap aka pure shit," like the APC album, like EVERY cover album, like every remix album. For him, it's all garbage, a priori. I think he's wrong; it's too narrow-minded a way of thinking.
Voto:
Another example, Depeche Mode, they've never thrilled me too much, but the latest remix album is awesome. My brother loves to tell me "everyone can do remixes after 15 years"... I prefer the new versions to the old ones, I don't care when it was released, I just need to listen to it, not marry it. Another example is NIN, the remixes are always better than the original versions; who cares if it's easier to improve something already made rather than creating something new?