puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7965 days

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  • Here since 21 october 2003
Voto:
And what about the cover, where do we put it, huh? Huh? Where are you putting the cover of that album? Do you want to have 4 morons on a bench with the schizoid man of the twenty-first century? Art is also seen in those things, the cover of this fucking album, 4 morons on a bench, is equivalent to a salami sandwich, food for manual workers without art in the middle of the morning, not everyone appreciates delicate delicacies. Well done bricklayers, defend your flat, windowless barracks, while we enjoy the villas by the lake.
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One was with me, the other is a close friend of mine, and I won't put her in the hands of those who invented GRIND METAL. If I had told her, "you know, he was the guitarist of CARCASS," she would have fainted right away :D... the other one is rather unattractive, and that would have made me look bad in front of Bill. If a DJ had come along, I could have done better, but unfortunately, you Rawk women are a rare breed, indeed you’re worth quite a lot, like the first pressing of Masters Of Reality on Vinyl ;))) / However, the brother received some nice comments, but the drummer was too much trù and scared them all away, poor defenseless little butterflies...
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Well... Beer, Beach, Moroccan Cream, Rawk And Rawl... more STONER than this! :D
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Antimo, you like it, after all Patton is still Zorn's godson. Then from this you move on to Fantomas and various other things, it's a perfect halfway point. The point is that Patton always collaborates with great people, but he rarely mingles with "closed sector monsters"; he can work with Kaada, with Zorn, but it's always people who do something indefinable, something twisted. By bringing together two twisted individuals, the only outcome can be a beautiful mess, but difficult to digest. This time, he teamed up with people who only do that stuff, with people who don't compromise much, and they've reached an agreement; it's not the usual work that overflows with Patton in every note. Deadly. (I keep listening to only this all day long) I think a lot of people will get close to Patton with this work. / But now, it's a total bloody mess, hyper-mess squared, here come Massive Attack with Michele... those two together are going to shake the planet, oh my.... goodness gracious.
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But Dad didn't actually want me; it was your(my) mother who wanted to carry on with the pregnancy, you bitch.
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And then you can tell from how you write that you're a lost child, exclamation points every three words, not even a capital letter... what a fucked-up generation coming out of the second half of the 80s. It’s the fault of the Uddue; you spent your early years listening to that crap coming from the radio, and it lobotomized your brain by osmosis. Luckily, my dad didn't let me turn on the radio, look how Bon Bon I came out.
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Oh idiot, did you read the review I recommended? You see, you say things the way you listen to music, superficially. You're a retarded idiot. Do you think I like what I review, or do I like a REVIEW that I recommend? Got it, idiot? REVIEW, not DISCO, REVIEW, NOT DISCO, WORDS, NOT MU SI CA. In fact, you like U2 and brussprintin, superficial stuff, IMMEDIATE, FOR THE CHICKENS.
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And you, The Boss, what cultural level do you think you have with the U2? NO, I MEAN, THE U2. When I think of culture, I think of Miles Davis, Bob Dylan, Frank Zappa... you think of THE U2, NO, I MEAN, THE U2. Music for teenagers.
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Sorry, but which profile are you talking about? The one you see by clicking on my name in the comments, or the one as a reviewer?
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The most famous rock song of all time? izzefainalcaudaun? Now I can say I've heard them all.