puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7879 days

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  • Here since 21 october 2003
Voto:
<< 1991 [...] in the midst of the Gulf War. >> I will never understand the need for these random historical inserts. Stammerda came out in the summer; unfortunately, I know it by heart because my cousins made me listen to it all July and all August, and they went to buy it a couple of days after its release. And in the summer of 1991, the """""""war""""" in the Gulf was already forgotten: it lasted two damn weeks, with the "full" part being the first two days and the two days of extermination of the retreating army. <<"In this world of thieves," where the political and social climate we were heading towards was already foreseen, >> Oh well, Venditti hoped for that. Because in the 50s, 60s, 70s, and 80s, nobody knew they were stealing, and no one said anything. No one, ever. "Thieving politicians" was never said by anyone, no one, before 1992. << cassette tape, another great deceased of musical technology, and for which, just like for Long Playing records, a return is hoped for. >> Besides the fact that in Italian "return" implies that something has gone away, and vinyl has NEVER gone away... who is wishing for the return of that crap, the cassettes? Who? GIVE US THE NAMES OF THIS INFAMOUS!
Skrillex Recess
26 apr 14
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<< stunning tracks like "Try It Out" or "Fuck That"... with their complex rhythms and virtuosic synths! >> I wanted to believe it and I listened to them. Try It Out is an incredible piece of crap, the main part of Fuck That, if given to the right person, could even become a danceable track, but as it is, it’s pretty much garbage. But beyond whether it’s garbage or not... complex rhythms and virtuosic synths? What have you been listening to, the Game Boy?
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<< I leave ten pounds to the shopkeeper >> With ten pounds in London, you could buy the entire discography, and the salesgirl would even give you a blowjob.
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The technically most complicated book I've had the chance to read, and it was written in a maximum of seven months (but, really maximum). Reading it, after a while, you get used to it, making it seem normal, but writing it is not something everyone can do: managing to maintain your connection to the story while completely disconnecting from it every 7/8 lines to jump from character to character is tough, very tough.

Then it may not be liked; still, it's absolutely not something that just anyone can write (sure, some can, but at least in three good years). With this, you get definitive confirmation that CP is a genius. If he’s not, then find me another author who has managed to change so radically from book to book while publishing them all in just one year. You won’t find one because they don’t exist. His books may well be terrible, but he is still a genius.
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As honorary president, I have the duty to carry forward the word of Vapor Wave, whatever that may be.
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Read in the first year of middle school during Italian lessons, I remember qualifying it as an absolute masterpiece.
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A more than decent film on the theme of the Irish Mob & South Boston is *What Doesn't Kill You*. It's not bad, let's say it's a "nice crap."
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I'm immediately going to look for the page where they tell the reviewer to fuck off.
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I took advantage of the release of Mess to put all my .flac files on a nice DVD to take with me in the car. I had listened to the one from two years ago; this one only briefly, and: how the hell is it recorded? The bass, the vocals, and some "components" of the drums seem to be recorded in the studio, while the guitars and the rest of the drums sound like they were recorded in the studio next door. I don't expect such a crappy production from anyone, and even less from them. I give it a generous 2; the album is completely ruined, to say the least.
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Finally, I understood what "Cloud 9" stands for. I thought that... was the 7th Heaven. Tell the truth, is that joint yours...