puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8095 days

  • Contact
  • Here since 21 october 2003
Voto:
How can it be good? As far as I know, this album could be an immense masterpiece. How can you trust someone who considers Brit-Pop to be technically more complex than the new Californian Prog? If someone is an idiot, they're an idiot all year round; it's not that today they're not an idiot and maybe tomorrow they will be. As far as I know, this could be a drone-experimental album, since for him the Queen are Heavy Metal and the Prodigy are Dance. Or not?
Voto:
It's not like you can throw around COLOSSAL BULLSHIT without giving us an explanation and change the subject every time while continuing to write as if you know what you're talking about, reviewing those fucking records that nobody gives a shit about just to let your bullshit go unnoticed. How am I supposed to trust someone who dispenses music advice but is convinced that dance music was born before electronic music? That would be like listening to a film critic explaining that the spaghetti western came before the real western. I'm also curious to see what crap you come up with this time, given that you always come out with bigger and bigger nonsense.
Voto:
Oh, you still have to reply to me on the forum and explain why dance music came before electronic music, why Queen is a cornerstone of heavy metal, why Queen is more famous than the Beatles, and how one can technically define Blur as more complex than Tool. You had concluded by saying not to come here anymore because "we were too insolent."
Voto:
Is it the new album syndrome? Many people discover a band years after its existence and get their discography, listening to it for three years... they become fans. Then the new one comes out, the first "new" since the "new fan" started following the band... and the new fan tears it apart, almost always. Not knowing either you or the album, I can’t be sure, of course, but it really looks like a new fan syndrome considering Trell's rating. The syndrome is also better known as the "last-minute fan" or even "the latest jerk to arrive," depending on the geographical position. Just assumptions, eh.
Voto:
I wasn't saying that what was said about the curtain wasn't true, I’m just saying that since the close-ups are taken from the stage, I don't see the curtain.
Voto:
Miles talks about it as the album where he compresses his "cool" idea and makes a sonic summary, before settling the accounts and opening a new era with BB. I've listened to it little and know it little; I remember well (but I could be mistaken) that there's a tremendous amount of "Fender bass" work (as they used to call it) by the then very young Dave Holland and quite a few melodies from McLaughlin and Corea. I should give it another good listen... but I'll wait for autumn, great review.
Voto:
He has a fabulous voice, he’s really wasted. If he did something in the style of dEUS, we’d all be here giving a 5 like it’s nothing.
Voto:
I've only seen Do The Right Thing once, I remember it being good but it's a very vague memory :D
Voto:
You've strung together a huge sequence of nonsense; you didn't even say a "meh" on the technical side. Just to remind you, in this CD no one plays, but they use some plates. Your review doesn't make that clear; it's one of the worst from De-b.
Voto:
Rewatched entirely yesterday, with extra bullshit and fluff, it lasts four hours and something, legendary. Plant with his musketeer look is more beautiful every time, Page with his beard gained 4 kg, but what I can never understand is: How does John Paul Jones, who in 1969 was said by all my friends to be "a real stud," become the imitation of Grandma Duck just 6 years later, that is, in TSRTS? It's a mystery on which modern plastic surgery is based and should be thoroughly investigated. PS the live for Danish TV is, for me, their best; they are in such great shape, the DVD should be bought just for those four songs (4 extended, right).