puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8166 days

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  • Here since 21 october 2003
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Johnny Cash makes me feel like a Cowboy. Cowboys eat hamburgers and vote for Bush. I don't like being a Cowboy, and I don't listen to Johnny Cash anymore.
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I read the discussion and I don’t follow Odradek’s reasoning: can you explain to me why you show respect for a suicide who left a little girl in the hands of a bitch? You are absolutely correct to speak of respect for death, but no one has died here; it was a suicide, which is different. I have no respect for those who take their own lives, only pity for those who are left behind. What do you base your respect for Cobain as a person on?
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For me, it’s awesome: he says what he thinks, I agree too, so it's fine. The ending is just a throwaway, I do it all the time because I like it, so I like it even if he does it. I liked Nirvana as a kid, I also read the book about Cobain, but they're just a bunch of bullshit in my opinion and nothing more.
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Damn: PERFECT. WELL DONE, YOU HAVE MY RESPECT. Grunge doesn’t exist, it never existed; if it did exist, it’s already dead. Everything can be simplified into one word: M E L V I N S. Massimof, did Nirvana seem innovative to you just because you didn’t know the Melvins? Nevermind isn’t innovative at all.
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Hal is on vacation... and you can tell :)))
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I've always hated it, an absolutely disappointing rock n roll album. Good rock, tight, badass... zero psychedelia though. Not even comparable to those that came before, for me it's the worst Magnet album, the beginning of the end. 25...Tab, now that’s an album :)
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I'm not really that into Emerson Lake & Palmer, you know, just for the record.
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Being that progressive rock is a genre that inherently aimed to move forward as much as possible, how can the anonymous person say "he has gone beyond prog"? There is no "beyond," nor is there "changing," since there are no objective canons to outline the genre as one can do when stepping outside of it. The Crimson have always made music completely different from the Area, for example, and yet both are called prog, precisely because it is not a genre but an attitude. Therefore, the anonymous person can refrain from spouting ridiculous nonsense like "Fripp renounces the prog sound," because the prog sound does not exist; thus, to say such nonsense, dear anonymous, there’s always rock wave.
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Ah, what can I think of Miller? :D In the 80s, he wrote 50% of Davis's music, he wrote 80% of tutù... I think he’s quite good, come on! :)))
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"He was the archetype of the rock bassist," unfortunately that's where the limit lies; in rock, the bass is the least appreciated instrument. I don't know, it's like saying "Miura was the greatest Japanese footballer," and sure, he was great, but you can't compare him to the best Italian or Brazilian footballer because they are on "higher levels." More than Jaco's pieces, for me, Ricky, you should listen to the Weather Report; that's where you realize the difference between Jaco and any regular bassist. I would never trade my Jaco for any regular bassist. /// As for Jazz Fusion on the fly, I'd say Live Evil by Miles Davis, Black Market by the Weather Report, Headhunters by Hancock, Spectrum by Billy Cobham. But at least tomorrow I could tell you more; it’s a genre too full of beautiful things :)