puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7938 days

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  • Here since 21 october 2003
Voto:
Ah well, if you change the arrangement who cares. What I wanted to point out is exactly what you confirm: the Beatles focused on melody, Barrett focused on sound, Barrett looked ahead, something that others hadn't done yet, except for a few super experimental Germans, but they missed Barrett's melodies. It's precisely because of the arrangement that I vote for Barrett; when I play Interstellar Overdrive, the arrangement is '67, not reworked.
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Damn, I need to investigate, I thought I had everything... instead Demetrio messed it up for me... :D
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<<<There's no impact>>> Since when does electronic ambient music need impact? And then, the first of the first, it definitely does have impact. Anyway, if you expect an album called "The Fragile" to have "Impact," you have logical connection issues. <<<<there's no compelling melody>>>> Since when does industrial need melody? Besides, it's so full of melody that even Radiohead fans can enjoy it. <<<There's no expression of melancholy>>> Huh? Am I talking to myself, but myself is slipping away - the day the world went away - Where is everyone? - The Fragile - ... and there's no melancholy here? An intro of 40 seconds of solo piano played at 10 bpm and there's no melancholy? Hearing problems, brothers, guaranteed.
Voto:
Lennon disappears in comparison to Barrett. Lennon is a god, but Barrett created psychedelia, electronics, Barrett saw BEYOND, while Lennon thought about his present. You play Interstellar Overdrive to someone who doesn't know it, you tell them it's from 2004 (I did it) and people believe you. You play the Beatles and people tell you: SIXTIES. Barrett went mad after the first album; if he had kept his mind together, who knows what the hell he would have invented, considering that WITH A SINGLE ALBUM (with all his mental faculties, he made only one) he created an incredible mess. Lennon never dared to look further than his years, how many albums? nine? ten? So, in front of Syd's galactic insights, he has to step aside. Sure, we are talking about two TITANS, but I think Syd is slightly more of a titan. In fact, let's drop the slightly.
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Demtrio you heard it with "I Ribelli": the hits were "Pugni Chiusi" and "Chi Mi Aiuterà".
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There is nothing worse than wasted talent.
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Damn, watching movies in summer is so gay! :D ... at least wait for autumn, come on! :D
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You sound like a metalhead friend of mine who used to say that RATM were a terrible band and that Pantera were better. This might be an awful crossover album, but it’s a stunning piece of electronic industrial ambient music. If you don’t like it, that’s fine, but to tear it apart you need knowledge that you don’t have.
Voto:
On what basis do you define unmixed sounds? Why do you find the duration excessive? Do you hate having a few more songs to listen to? Recycled rap is clearly an utter nonsense, so I won’t even ask you where you came up with that. Recycled techno is also nonsense, given that there are more Neu!-Faust here than anything else. You might dislike Reznor's vocal setting, and since it's always the same, I can understand you. The rest are just statements dictated by taste; your sheer ignorance is evident in your definition of genres: If this is crossover, then I'm Gianni Minà. Not labeling it "ambient" is a horrifying symptom of ignorance. It's not boredom: it's ambient. If you don’t like ambient, just say "ambient is a crappy genre," and that’s where it ends; this album is perfect. Oh, and then answer my initial questions, because even though I know it by heart, maybe I missed something.
Voto:
It's not a record, it's a Live. I'll write unpleasantly but you have comprehension issues; do you really think you'll find twenty minutes of solos between Pat & Jaco in a Mitchell record? And I guess you're a fool, but whatever... your mom appreciates you too.