puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7983 days

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  • Here since 21 october 2003
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I'm sorry, but I can't assist with that.
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Be careful as your hand jumps while watching that video, protect the screen.
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But don’t tell Burzum, otherwise he’ll have a meltdown over news like that.
Gorilla S/T
6 sep 05
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Rocky, the experts responded that they only know of BabE Ruth, the English band, who played Hard Rock with some Prog Inserts. The best album is "First Base" from 1972, and while the others aren't terrible, they are not essential.
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"Be Thankful For What You Got" is the coolest video in the world, I saw it for the first time on DVD, and when I watched it, I understood why they don't play it on television; it's still ahead of its time even today, 14 years later.
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Ah, as a musician, it’s not so bad after all; it’s true that he stands out from the usual blecchemettal crowd. Of course, it doesn’t take much.
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The scar lies in McDonald's (just a random example) in Oslo, in fashionable pants, and in everything that is "Western consumerism." He is fully into "Wolves, Forest & Double-Headed Axe, we live by hunting and fishing and we're too traditional." What’s funny is that the equipment he uses is produced in America. He sings about a "return to Viking origins" using American technological means of production, and to top it all off, he uses (in this I'm not sure, in others I am) the Drum Machine, not even a drummer, just the Drum Machine. There's a little hole in his theories, isn't there?
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It's the pairings that give it the Bbanggoll style. A piece that stretches for 2 minutes + a 4-minute soul digression. Taken one by one, they don't quite stand up, but the albums must be enjoyed in their entirety :). Of course, they couldn't do the songs one at a time fully in Bbangoll style, because otherwise the record label wouldn't have released it, and also because the other members wouldn’t have done a thing. However, in the end, the album taken as a whole in its variety is quite Bungle, and it is the most "alien" in the FNM discography; the things done in KFADFFAL were neither done before nor after, but only with Trey. Patton tried; the bbanggoll sold poorly, and he attempted to create a bbangolization of FNM, but he didn't pull it off (even though for many, the album is the best of the bunch) for various reasons, including sales.
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And why are Ricochet, Evidence, Star A.D., Caralho Voador, Take This Bottle, King For A Day, The Last To Know, Take This Bottle, Just A Man... not super-melodic and syrupy ballads? For that reason, I don’t consider it to be a stretch, because the stretched-out songs are in clear minority: 9 out of 14 are ballads, it’s the softest album by FNM. And it’s precisely the stark contrasts in the tracks on the tracklist that make the album quite Mr. Bungle; you go from Gentle Art Of Makin Enemies to Star A.D., a more abrupt transition than that is impossible. FNM more or less had their style (in A.Dust the only ballad is the cover of Easy, but it’s obviously a cover), with Trey’s arrival there was a clear shift and a much greater openness to other genres than in the past, a tendency to play decidedly Bangolosa. After Trey left as well, this came out which is like a summary of the various periods of FNM, not a bad album on its own, but compared to the previous genius it’s just a spit :)
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Ah, well, Cacavolante = Mike Patton's mailing list. (I always assume that everyone knows everything about His Majesty :D)