puntiniCAZpuntini

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Here since 21 october 2003

Miles Davis Bitches Brew

5 oct 05

Voto:

On Monday, I watched a DVD from a few years ago (I think 2001), featuring the quartet: Hancock (grand piano), Holland (double bass / various Fender basses), Metheny (changing guitar for each piece), Dejohnette (of course on drums): they performed a Miles piece masterfully, and the rest was all either Hancock's or Dejohnette's... I didn't know where else to mention it, and this is more or less the right place: buy it.

Róisín Murphy Ruby Blue

5 oct 05

Voto:

It needs quite a bit of the right moment, but when it finds it, it performs well.

Eric Clapton Slowhand

5 oct 05

Voto:

How's the latest one?

J.J. Cale Naturally

5 oct 05

Voto:

Then, about "for me" & "in my opinion": since we were talking about seminal works, since we were discussing who did certain things first and not who "is better," the "in my opinion" arguments don't mean a thing, because release dates are certain facts and not tastes: there’s no "in my opinion" that holds up, Bruss is not seminal, as skilled as you may think he is, but not seminal. And hey, if you throw out nonsense as bait, then it doesn't matter, right?

J.J. Cale Naturally

5 oct 05

Voto:

I don't get you guys. First, one attacks those who copy and spouts the nonsense that Born To Run is seminal, then he claims he said it on purpose to make a point (which, honestly, who knows what that even means). I defended those who "copy" because it's normal in music, and then another one expresses solidarity with those who attack copycats, but then says that copying is normal, thus agreeing with me... and then from a simple discussion about the seminal nature of an album, it escalates to a galactic reasoning about the entire history of music, claiming that someone undermines Born To Run while we were only talking about its seminal quality. Do you even read the comments? Because I'm starting to have some doubts. And you, Massimof, trust me, you’re missing a lot when it comes to the legends of the 60s and 70s, it shows in what you write: listen to some stuff from those bands I mentioned before, and if you want, there are plenty more, all of which came before your Bruss.

AC/DC Stiff Upper Lip

5 oct 05

Voto:

One of the best with Luca Sardella on vocals, but still not comparable to the works that came before Back In Black. The Stiff Upper Lip DVD was pretty crap to me (considering we are still talking about gods), not even remotely comparable to "If You Want Blood, You Got It."

Roger Waters Ça Ira

5 oct 05

Voto:

I think it will be the first Lirica CD I buy. Maybe.

Kruder and Dorfmeister Dj Kicks

5 oct 05

Voto:

Well, it's a bit easy to remix, good job, very good, excellent... but when are they going to make a piece of their own? (You could at least say that these aren't their own pieces :D)

Isis Panopticon

5 oct 05

Voto:

Because they were under the Escape, which unfortunately doesn’t have much money or connections to send the promos around, Patton “pushed” them much more (compared to Escape, of course). And they aren’t the only ones of their kind who, even if born under Escape, have abandoned it; evidently, it doesn’t have the means to do much :)

Bronski Beat The Age of Consent

30 sep 05

Voto:

I was watching him when I was melaghidonza. (only a few of us understand this, it's an underground-regional joke)

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