puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8093 days

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  • Here since 21 october 2003
Voto:
So, you guys are starting to get on my nerves, so I’ll clarify a bit: Given that Punk was seminal for the birth of Krautrock, and given that Gianni Boncompagni is not accidentally the president of the Italian Film Foundation, the doubt about the veracity of the fact that the first recording of "Da Trieste In Giù" by Raffa Carrà predates "People From Ibiza" by Schultze is legitimate and should be verified thoroughly. That said, considering that the Libertines are the best band in history, my vote for the best Quiz in the history of Italian television goes to Telemike, while for Televised Magazines, without a doubt Studio Aperto under the new fantastic management led by the guy who is ugly and talks like a gay man, but has two kids, so he’s gay and also cheated on. And let’s make sure to stay organized next time, for crying out loud.
Voto:
No Josi_, you’re mistaken: Interstellar Overdrive is indeed by Woody, but it’s Woodpecker, not Guthrie. One is a drummer, while the other plays the Gong in U2.
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Yes, yes, him, the one from "Bella di Padella."
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It matters, it matters, if you calculate that 892 892 added to the square root of 89 24 24 becomes the exact bisector between GDP and Nasdaq, Stairway To Heaven hits the mark, and then a cornerstone of Country like Kraftwerk always fits in, plus Brian May's solo is too punk.
Voto:
Let's also add Stairway To Heaven!
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Mike Patton did the same type of packaging in November 2004, in the album with Kaada. Exactly the same.
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If you say so, I believe you.
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I don't read it because it's too long, but it's truly a fantastic album.
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But why do you only do double reviews? There were 9 "releases" by Primus missing to review, and you managed to review one of the two already existing albums. Then giving it 3 and placing it in "alternative" (aren't they among the leaders of 90s crossover?) I don’t understand, just like I don’t understand how you first compare it to Roger Waters and then say that the value of the instrumentals is practically nil.
Voto:
I would need to see it at least ten times to review it; it’s a terrifying river of notes, with each piece featuring a different "protagonist" – really hard to review without simply saying "a river of notes." And have you heard about the guy who works at the archive of some American TV who, while rummaging through the 50s, stumbled upon a live performance from ’58 by Thelonius Monk & John Coltrane? Now they're going to release that on DVD too; lately, they're really publishing tons of stuff that had never even come out on VHS. Just last Monday, they showed me a glimpse of a live performance in Frankfurt by Holland with some of his friends, another thing that just a few years ago you'd dream of finding in a record store. As for Cool and other more "relax" genres of jazz, I couldn't say much since I hardly follow it, but for Fusion & experimental, they’re really digging up gems from everywhere. And yet we always complain, right? ;)