puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7927 days

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  • Here since 21 october 2003
Voto:
It's logical that it's a personal opinion, so what? What changes? How does it work, if it's a personal opinion, can't anyone tell you that they think it's a huge load of bullshit? So what are you doing here, giving unquestionable personal opinions? The episodes are dated, but they wanted to do Blues; it's like taking a Jazz record from 1960 onwards and giving it a 3 because it feels outdated... what does that have to do with it being outdated? Do you judge Blues based on innovation? That doesn’t seem logical to me at all, it strikes me as a rather ignorant and middle-school level point of view. Then with Clapton, "less famous" means "less famous," it doesn't mean "the last unknown jerk who showed up," it means "less famous than the other two," but do you know who Jack & Ginger were back in the day? Clapton was the new promise, but Jack & Ginger (and I repeat: especially Ginger) were already established musicians long before the kid Eric. That your load of nonsense hasn’t been very appreciated seems pretty obvious from the comments and ratings; stick to Mario Mensola because you look better that way, avoid touching groups with a significance that you can't handle. And this is my personal opinion (I specified, are you happy?).
Voto:
A little bit, yes, but comparing them to Pink Floyd is quite a stretch. Bruce always stated that his intent was to form a band of modern conservatives; he wanted to ferry the Blues into the world of electric music. It never even crossed his mind to create innovative music: they were three monsters of their instruments (especially Baker, the first real powerhouse on drums, as well as the first to use the "rock" grip on the sticks) who just enjoyed playing their music, without too much studio fuss. Plus, they always let others handle the production without meddling too much, just look at Felix Pappalardi who turned this album into something much more "ear-friendly" than it originally was. In their live shows, you could say there’s psychedelia: songs with tripled durations due to 5-minute solos, furious drum interludes on very relaxed songs, and so forth. But anyway, comparing this album to the Floyd or Zappa is a colossal nonsense. Giving it a 3 is ignorant; even if one of their studio albums is worth a sixteenth of their live performances, a 3 isn’t a score for Cream.
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A trend that has lasted for a while now, 10 years of career, and relative fashion. But don't trends fade quickly?
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And you with your obvious brain limitation, if you listen to two genres at random, and as soon as you step out of the depressed-melancholic you get all confused, that’s not my fault. Let’s hear some nice bullshit to make everyone laugh: what’s qualitatively low about the Ac/Dc of the '70s? Come on Hello-Spank, make us laugh.
Voto:
I wanted to pacify everyone by highlighting this latest scientific discovery -> Ingrandisci questa immagine <- Too, too seminal.
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Yes, it’s Parallel Realities. I didn’t remember it, but I googled it and saw the cover; it’s also on DVD and it’s worth every penny it costs. Take a look online; as I mentioned above, in recent years they have been printing tons of DVDs of various concerts from the 60s to today, many of which don’t even have a CD counterpart. For example, going back to Miles, I have a DVD titled "Miles In Electric, A Different Kind Of Blue," which discusses Miles’ electric transition, and there’s the performance of the crew that produced B.Brew at Woodstock, 28 minutes of improvisation called "Call It Anything," because when the presenter introduced Miles, he asked, “What’s the name of the first piece?” and he answered “call it anything,” and the fool turns to the audience and says “call it anything!” :D (maybe I’ve already mentioned this, but it doesn’t hurt to repeat)
Voto:
So, you guys are starting to get on my nerves, so I’ll clarify a bit: Given that Punk was seminal for the birth of Krautrock, and given that Gianni Boncompagni is not accidentally the president of the Italian Film Foundation, the doubt about the veracity of the fact that the first recording of "Da Trieste In Giù" by Raffa Carrà predates "People From Ibiza" by Schultze is legitimate and should be verified thoroughly. That said, considering that the Libertines are the best band in history, my vote for the best Quiz in the history of Italian television goes to Telemike, while for Televised Magazines, without a doubt Studio Aperto under the new fantastic management led by the guy who is ugly and talks like a gay man, but has two kids, so he’s gay and also cheated on. And let’s make sure to stay organized next time, for crying out loud.
Voto:
No Josi_, you’re mistaken: Interstellar Overdrive is indeed by Woody, but it’s Woodpecker, not Guthrie. One is a drummer, while the other plays the Gong in U2.
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Yes, yes, him, the one from "Bella di Padella."
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It matters, it matters, if you calculate that 892 892 added to the square root of 89 24 24 becomes the exact bisector between GDP and Nasdaq, Stairway To Heaven hits the mark, and then a cornerstone of Country like Kraftwerk always fits in, plus Brian May's solo is too punk.