puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8163 days

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  • Here since 21 october 2003
Voto:
I would like them a lot more, he’s a handbrake that can be good or less so, depending on the point of view. You're right, but I insist on letting go of all the connections to old patterns. One of these days I’ll set myself free to discover the Beats that Oktopus made for someone else to see how the result turns out. Do you remember any? Honestly, besides the Dalek, I don’t think I have any Oktopus stuff, but you can never know in a field where every album has 9 producers and 15 MCs.
Voto:
You should really like the sounds, but the mood is dark and quite ambient-kraut. Few little noises, a lot of low-frequency rumblings. You wouldn't hate it, but you wouldn't go crazy for it either; maybe one day I'll send you the first Faust albums, those should appeal to you much more.
Voto:
Beautiful the Klangbad site, Airone. There’s also the first of the Dalek on double vinyl, I don’t think it’s available on Ipecac either. For Faust, there’s a ton of special stuff; I’ll mark it in my favorites.
Voto:
People who I think would fit better than Dalek over the beats of Oktopus would be: Black Thought from the Roots, El-P + Cannibal Ox (I would definitely enjoy these first ones a lot), MF Doom, Mos Def, DoseOne, Alias, or even Fredro from Onyx. It’s not that he’s bad, but the beats of Oktopus are the "most forward" (maybe not the best, but definitely the most forward) while Dalek isn't quite as forward. He’s good, but not as progressive. The gap is noticeable and it's a bit of a shame. That said, I believe Absence by Dalek deserves to be included in the top 10 rap masterpieces of all time for innovation (in this field, it’s only behind Funcrusher Plus by Company Flow), it’s out of this world.
Voto:
The service offered by cdbox seems to be one of the closest to usury; you pay a lot, and the more you pay, the longer you wait. Instead of Siae stamps, there are those of Cosa Nostra.
Voto:
Here, you're almost there now. I was emphasizing the fact that, even though you were expanding the conversation, it doesn't mean that Morpheo and I were talking nonsense. Are you getting it now? Shall we make a histogram? It's not necessary to specify every little point of the discussion every single time; when talking about Rock N Roll, you don't have to start with Chuck Berry and include every possible and imaginable branching, otherwise we’ll never finish (are you with me? should I continue?). The important thing is to understand each other. With Morpheo (who also wrote it to you above), we understood each other and were only talking about Drone-Doom (and by the way, don’t worry, if you ask Circle or a post-rock band like Exhaust "what do you play?" they certainly won't answer "Drone," even though there are indeed similarities). A flexible mind adapts to specific discussions; if you have any issues with cerebral elastin, it’s not our fault. Video call us next time.
Voto:
But without reflectors, which are too bright and would make it look less like a Drone. A Drone-Rail. Happy?
Voto:
Here, you're still not there. My statement isn't limiting, but limited, which is different. We were discussing limited to "Drone-Doom = Bass & Guitar." Let me give you another example; I see you need strong stimuli. So, Morpheo and I talk about Football, and we throw in Serie A, the Premier League, and La Liga. You come in and say: << what the hell are you talking about, sport isn’t just football, there’s also Basketball, damn it! >> To which we reply: "Absolutely right, but we were talking about football." The fact that you come in and change the subject or expand it by bringing in points we didn’t touch doesn’t mean we’re talking nonsense, but simply that you’re changing the subject. Are you there now? Let me summarize it in another way: you are absolutely right, Drone isn’t just Doom, but we were only talking about Drone Doom, so despite your statement being true, it doesn’t have anything to do with ours. I am very childish, but you are as clueless as a guard-rail (which isn’t that bad since the guard-rail has a lot of metal).
Voto:
No, you’re not getting it. It’s all in the speech you make. I’m making the speech: “Drone-Doom, Bass & Guitar.” If you want to make another speech, that’s great, but honestly: who cares? You come here, change the subject, and say we were talking nonsense because Drone isn’t just Doom… but it’s a shame we were only talking about that, did you catch that? No, come on, I’ll give you another chance, I’ll give you an easy example: Morpheo and I start talking about Mashed Potatoes, and Morpheo tells me, “You know, man, mashed potatoes are real mashed potatoes if you add milk, otherwise it’s not mashed (implying “of potatoes)”… then you come along and say: what the hell are you guys saying? Carrot mash doesn’t need milk, damn it! ... and we say to you: Okay, all very nice, but what do we care about carrots? Do you get it? We were talking about potato-doom, about your carrot-sitar-tabla-leaky_pots... we might be interested in that conversation, but you’re the one who goes off topic talking about post-rock, origins and all that... we were talking about Doom. It’s not us talking nonsense, it’s you who expands the conversation on points we weren’t even considering, do you see now? Next time I’ll make you a .dwg, so maybe with the lines, points, and bisectors, you'll understand better.
Voto:
Listened to it this morning on the plane, and I was flying in every sense. Fabulous, stunning, beautiful, better than Frances, I declare it the Rock album of the year, long live the tracks that are half an hour long or even more. Lasagna is good when you’re hungry, Nick; there’s no morning or evening, and my appetite has won the world championship of hunger for expansion from 1993 to 2005. And I’m the seed of 2006, my mother now calls me “Panza Dilatata Bill” (Bill wouldn’t hit a half-assed shot, but it sounds very yeah).