puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8163 days

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  • Here since 21 october 2003
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The word "gain," when associated with this album, is a huge load of crap. Come on...
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<<< in this union, coincidentally with one of the fastest-growing rappers in the American scene. >>> Huh? Huge nonsense. American Rap Scene = MILLIONS OF RECORDS SOLD. Eminem, Nerd, Snoop Dogg, etc. The Dalek are a black mark on the ass of the American rap scene, Enè. Trust me, you don't even know what you're talking about; rap is certainly not complicated music to understand, but at least you should listen closely to those 50-60 fundamental albums before you speak.
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If they had done more visionary things, you would have said, "Oh come on, always with this visionary stuff, they’ve already said everything." Instead, they changed the musical reference points, and you say, "Well, but when they were visionary, they were better." The truth is that once someone reaches the peak, an expectation level is created that is so high it cannot be satisfied. It's not enough for us that they remain at the same excellent level; we demand that they keep getting better. "So Far" is perfect, and you can't go beyond perfection. This album is perfect, a magnificent blend of rap and ambient electronic music, and you can't go beyond perfection. But come on, you listen to one minimalist rap album a year; how do you expect to give a thoughtful evaluation? Or do you want to tell me that you also have the albums of Company Flow at home? Come on, there's always the Rockoccodrillo.
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By now you've gotten your hands dirty, and with indelible ink. Bennato's review remains online to debunk all your nonsense. You should have thought about it earlier, little squabble. Jim, the photomontage turned out to be a Bijoux.
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I would say they would be exhausted if they sang the usual songs of Dalla & Bennato. Instead, they are 50 years old and remain rooted in peculiar, experimental music that is very alternative to the usual stuff. The fact that we are no longer scared by anything, unlike the fear evoked by their first three or four albums, doesn’t mean they have run out of steam; it just means that the threshold of "tolerance/preparation" for the average listener has risen. Now, to amaze us, the Faust would have to make a Pop album; that would probably astonish us, but in a negative way. It doesn’t surprise us that they insist on the line of thought of "never stopping exploring" (as evidenced by the fact that at 50 they are collaborating in Hamburg with a group of young rappers from San Francisco), but we are the weird ones; they remain astonishing. You can get used to anything, even magnificence. Briatore, after a year of sleeping with Naomi, might have even grown tired of seeing her naked. But that doesn't mean she became ugly. But thank God we still have Dalla, Bennato, and all the experimental singer-songwriters from Italy.
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We Sardinians, on the other hand, are better, about why Vagina is called Broddoi, if you think about it a bit, you'll figure it out, right? :D
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I grasp much less than I should, but the essential points are clear. The slang is a bit trickier, but they have much less variety than we do; in the end, they just distort words, they don't invent them from scratch like we Italians do. The final "er" becomes "a," and they play with assonances (for example, New = Nu), which are fairly fixed mechanisms. We're much worse; how "appuntamento mancato" becomes "tirare bidone" is a bit difficult to explain with a fixed rule.
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Once upon a time, the lyrics and rhymes were the most important thing of all, given that the sparse and similar beats from ten years ago didn’t really allow for much choice. From '97-'98 onwards, with all the new material, I started to appreciate the beats as well, but I still believe that lyrics and rhymes are always the most important thing overall. I can’t tell you what the newspapers think now because I haven’t read them in ten years, but I believe they write more or less the same things.
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Yes, if you didn't enjoy Noise & Violence by Ansence, you'll definitely like this one much more. Grab the pusher (and don’t forget to ask for the extra, my grandmother used to say).
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Much less violent than Absence, but what it loses in violence it gains in the expansion of sounds, so it's a bit difficult to determine which is tougher between the two; it depends on what you're more accustomed to. For example, I digested Absence more easily; I believe it's more direct. Although, as it was said about Lukin, it's much more a Faust album than a Dalek one; comparisons with Absence are "legitimate" but also not.