puntiniCAZpuntini

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  • Here since 21 october 2003
Shrinebuilder Shrinebuilder
Shrinebuilder Shrinebuilder
26 nov 09
Voto:
"That is, if this is a nice record, brunetta is not down." If you like Wino, you’ll like the record. Aside from Blind For All To See, it's just like a hypothetical new album from Hidden Hand but with exceptional session musicians. However, Blind For All alone is worth at least twenty listens, truly a great mix of styles from the four, even though the mood is very OM, as they say in metal reviews: "every member does a good job."
Shrinebuilder Shrinebuilder
Shrinebuilder Shrinebuilder
26 nov 09
Voto:
<< PROUD to be the only one who prefers TCV >> I also prefer a Hard Drive with low capacity but higher speed, compared to a Cobra's ECU-exhaust tuning kit.
Isis + Dälek + Transitional Live @ Alpheus (Roma) 20/11/2009
Isis + Dälek + Transitional Live @ Alpheus (Roma) 20/11/2009
26 nov 09
Voto:
Voices from a hallway I can't remember told me that it was actually Turner who brought "the" Daleks to Patton's house. From what you write, it seems the hallway was right. At the time, I surely laughed, even though Oceanic Remixes points out Aaron's great open-mindedness (but how do you pronounce it, eh-ron?). I've probably written it two million times, but I never get tired: Oktopus is wasted with that idiot at the microphone; he’s worth half of a tenth of him.
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
25 nov 09
Voto:
<<discone dei Cannibal Ox>> is even better than Funcrusher when comparing them together, but when I bought it, I already knew what was inside; Funcrusher, I did not. If Vast & Vordul hadn't listened to Co Flow as kids and had Producto behind them, Cold Vein would have been a different story. Also, Vordul isn't that strong; it's evident from his solo albums. Vast's two tracks are much better than Vordul's two, perhaps thanks to Melodious Monk, who did an amazing job on Vast's latest album.
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
25 nov 09
Voto:
Masterpieces also Vadim & Octagon, but no one on those records managed to blend well with those beats like El-P and his direct descendants did. This, as beats go, is one like many others, but there's Russel who puts on pure show, and that's also because the beats are sparse. It's almost a physical law; if you make the beat very musical you need to rap straight over it, otherwise, you can't make sense of it, you don't have the connecting thread; if you're musical at the microphone, the beat has to go tun-pa tun-pappà. Even Zack De La Rocha had to force Morello to put the pick in his eyes when he wanted to show who he was at the microphone; in fact, many were disappointed by the rock side of Evil Empire, while others were ecstatic about the Rap side (and Evil Empire came out just over a year after Funcrusher, in '95-‘96: the apotheosis of Rap).
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
25 nov 09
Voto:
<< Along with Funcrusher Plus, the best rap album ever! >> Seriously. Both this and Funcrasher EP (which basically has 80% of the tracks from "Plus") were released within three months of each other. The thing is, Funcrusher didn’t come out of New York because nobody believed in the Holiness of El Producto (even Funcrusher Plus wasn’t exactly easy to find at the record store, but at least it existed to order).
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
25 nov 09
Voto:
No, I haven't read it; it's too long. If you really wrote that it's the most original, then 5. But I'll tell you one thing: make them shorter; as soon as I saw you starting with the family connections, I went straight to the end.
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
25 nov 09
Voto:
Because you, Kosmo, were there when it came out and you also said, "What is this? What does it do? Who is it?". Hearing now that everyone has copied it, it seems like just another record, but in the spring of '95, there were plenty of dropped jaws, at least from those who could tell the difference between someone doing rap and a true master of ceremonies, because the central focus is to entertain and put on a show, which is often forgotten.
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
25 nov 09
Voto:
At the presentation concert of Zero Stress in Bologna, before playing, Dj Gruff played the whole record without even doing a scratch. Without even making a "bùh". Just "Listen and be quiet."
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
Ol' Dirty Bastard Return To The 36 Chambers: The Dirty Version
25 nov 09
Voto:
<< although it is not considered a classic of the genre >> Eh? But it's FIVE TIMES PLATINUM, not to mention the first of the Wu-Tang soloists to sell out, reissued three times before his death, and it's the only case where they even made an instrumental album on CD and not just on vinyl singles? What does an album have to do to be considered a classic, be hung in Times Square?
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