puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7944 days

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  • Here since 21 october 2003
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"The Song Remains The Same is the best album by Led Zeppelin." I would say that’s quite obvious, considering it was designed to be that way. I don’t believe any original version surpasses those by Led Zeppelin. But let's not change the subject; you compared the first album by RATM to this one, and you still haven't explained even one of the similarities. You can’t just come here, throw out some nonsense, and then retreat under the furniture. Now, keep the nonsense going, because we’re on vacation and we want to laugh.
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"The best crossover album in history? No, absolutely not." Tell us what it is! Exactly! Tell us what it is! Jesus Christ, how much nonsense... I don't even intend to read it all. I'll give my opinion: I don't mind Patton as a singer at all, and Mr. Bungle is probably his best project, but I don't think crossover becomes qualitatively better just because it merges rumba, grindcore, ska, hc, dub, and neomelodica... Personally, I find the first true crossover experiments of the '80s in L.A. much more conceptually and aurally interesting, but for the sake of philology, we could go even further back. Saludos.
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<< , but when I referred to Patton's project, I simply meant that he is the standout component (due to his notoriety, I think it can be said clearly). >> I’m calm. That’s precisely what’s annoying: the notoriety gained later with FNM causes a project by two incredible musicians like Spruance and McKinnon to be passed around as "Patton's project," and the people who like Bungle don’t buy the current work of Spruance & McKinnon, but instead the comedic antics of Fantomas. And the music suffers because Fantomas comes to Italy every now and then, while to see Secret Chief 3 you have to go across the ocean. << in the sense we give to the term "crossover" >> That term originated from the title of a Rolling Stone review of Urban Dance Squad, which was called "A rap/metal crossover." Over the years, the first part has been lost and misconstrued, just like Heavy Metal was coined for Sir Lord Baltimore in '70, and people are convinced that Heavy Metal was born with J. Priest. They’re just names, so since the meaning of the term crossover is "vast," I’d say it’s more appropriate to apply it to Zappa and Spruance compared to Morello, who only scratched a couple of fake scratches on his little guitar.
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"The crossover becomes qualitatively better when it blends rumba grindcore ska hc dub neomelodica." You are too young and believe that Crossover means Nu-Metal. If you don't merge a thousand genres, you simply don’t do crossover; you make Rap-Metal like RATM, or Funk-Rock like RHCP, or crap like Limp Bizkit. If there are too many genres, then you just say Crossover to make it easier.
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<< Mr. Bungle is probably his best project, >> I MISTER BANGOLL ARE NOT A PATTON PROJECT. I MISTER BANGOLL ARE A HIGH SCHOOL BAND WHERE PATTON SUNG. THE MUSIC OF I MISTER BANGOLL WAS MAINLY WRITTEN BY THE TWO MULTI-INSTRUMENTALISTS, WITH THE RHYTHM SECTION COMING IN LATER, AND ONLY AT THE END DID PATTON ADD THE WORDS. << the first real crossover experiments of the '80s in L.A. >> The first demo by Bungle is from '86 and contains three tracks from this album that are practically the same. For me, the first crossover is Zappa's, from the mid-'60s.
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Receiving a bad grade on the review >> I’m not talking about the review, because I’ve never written one; I just want to understand how someone can mentally connect Mr. Bungle to RATM on a site like this. I can understand someone at the bar, chatting about music and spouting nonsense; but someone who logs in here really wants to talk about music, so they are convinced they know what they’re saying. Human madness fascinates me.
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<< Delay? >> I meant Mental. And I confirm << the fact that they are free sentences is not a nice thing for me. >> You didn’t understand, I was responding to your "they seem," not to your tastes. << but to who makes the best salad. >> The problem is that you compare salad with lamb stew. Let me give you an example for children: If I say that Buffon is the greatest Italian goalkeeper, you can tell me that you prefer Zoff or Pagliuca, but not that you think Gigi Riva was better, because Gigi Riva, even if wonderful, has nothing to do with it. It's just that everyone can talk about football, but not everyone can about music.
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Il tuo browser non è più supportato, esegui l'upgrade. // You listen to this and imagine someone waving a red flag shouting "scekoll de maic uen iu left on de cross, uen ignorens reins laif is lost... looooossst... uai stend on e sailent pletform, faitt de uor, facc de norm!" How do you do it? Explain it to us, there’s already a fan club here ready to praise you.
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(Since I notice a bit of delay in you, let me explain that "the doubt" refers to the fact that you are an idiot.)
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Human case, caught. << there are phrases in freedom >> And indeed I wrote to you "I am." Either you don't read or you can't extract meanings from the terms. << the first of Rage Against the Machine surpasses it >> I would say the first RATM has nothing to do with it, since you can't compare a rapper on semi-metal music with pop-funk-metal-rock-jazz-orchestral -experimental-your-grandma. The number of instruments played here by Tristano Spruzzo is greater than the number of rhymes by De la Rocha, perhaps. If you then add McKinnon and Heifetz, you surpass the number of rhymes in De la Rocha's entire career. Think about this reasoning: this review has been here for SIX years, thousands of people with immense musical knowledge have visited this site, and you are the first idiot to shoot this hilarious nonsense. Don't you have any doubt?