puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7883 days

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  • Here since 21 october 2003
Voto:
No, we’re not understanding each other because I’ve never been able to stand that stuff from Bambataa, and already three “arts” (if we can even call something that "should follow predefined schemes" to be "true") were a bit ridiculous, let alone now that they’ve become four. Only in Italy is this crap still rooted; in the USA, by 1994, the Peace Love Unity havin Fun had been replaced by a nice piece. The real slogan, the kids knew what it was -> <- The problem with Italy for me is that nobody has ever understood what the Americans are saying... in fact, even Sean likes it :-) ... let me hear you say oooh!
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We’re not understanding each other on the philosophical issue, but it’s probably better to let it go since it’s a dead discussion. However, hey, don’t be cheeky <<< I didn’t write anywhere that it’s okay not to include a friend on your album if they’re not up to par! >>> Oh sure, and what is this << if the artists of the albums you mentioned had believed it lowered the quality of their productions, I don’t think they would have even brought him into the conversation >> Tell me what this sentence means, it seems pretty clear to me.
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Ah gee, what the hell did you drink, man?
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"In the past, doing Rap in Italian was unthinkable," are the words of Kaos himself. In fact, a year earlier on Rapadopa, it wasn't Kaos One rapping in Italian; it was his twin, Kaos Two. They might have formed in the early '80s as legend has it, but their first album came out in '92, and by then, everyone was rapping in Italian. The Italian albums were great, while the Radical Stuff was pathetic. Then Kaos can say what he likes, but there are still two shitty albums—one from '92 and one from '94, the Italian years. If you want to go deeper, you can even say that in '93, Kaos was awful even in Italian. <- how to ruin a Gruff beat. <- how to get your ass kicked by a lady. Kaos at home, but running though. "I really don't think you can declare with absolute certainty that I don't understand a damn thing about Hip-Hop." Be careful, because when I say HH, I mean the true one, the philosophy of the Zulu Nation. The one where you rap about happiness and brotherhood to make some legal money instead of killing yourself with crack and shooting in your neighbors' gardens. Then the issue has broadened a lot; by the '90s, you could already hear Hip-Hop coming from people holding Uzis (in the videos). Taking brotherhood out of Hip-Hop leaves a completely empty philosophy; it’s all based on Brotherhood. If you tell me that someone doesn't let his friend rap on his album because he's bad, it's clear you haven't understood much. Like everyone else, though; the last time I went to a Jam, the "arts" were four, and I don't know in what year they added "djiing." I had never heard the word "djiing" before. You were definitely talking about music; I wasn’t.
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I don't feel like reading the one about uppercase letters, so I'll give you a point.
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<< My ellipses, where not in groups of three, substitute a word with as many letters as there are ellipses. >> Okay, then explain these two "a finger, an elbow and.." And? And + 2 missing letters. Enlighten us. Then tell us about this """so similar to ours but that.. just a comma, """" What? Checca just needs a comma? Chela just needs a comma? Malagoli teaches, not you.
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I am advised by the production to specify that all those who were called "b-boys" in the 80s, and therefore do not fall into the category of the "90% of ignorant high school students," were all true b-boys, in the sense of Breakers. The Italian scene was entirely born from Break, so none of them ever cared to understand what the rappers were saying; they were busy with other things. Those who studied English and metrics are the ones from the second wave, who were in high school in the early 90s. In fact, today's rappers, belonging to the "second wave," are much more "Americanized" compared to those from the first... and also technically millions of times stronger.
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<< Sean (if the album creators [...] I don't think they would have even called him into question)>> Even if you know how to "be hip-hop," it seems you understand jack about Hip-Hop, bro. Friendship comes first (when the troubles come true, I ain't got no guns BUT I GOT MY CREW), so even if my brother's a piece of shit, he's my brother and he sings on my record. Let me give you a very recent example: Noyz Narcos & Chicoria. Can you honestly tell me that if Chicoria wasn't friends with Narcos, he would appear on his albums like the various Pequeno, Marracash, etc.? I hope not. Crew mates are crew mates; it's the only beautiful and real thing about Hip Hop; the rest is bullshit, crap, and two spoons of diarrhea. Even after 20 years, I find people I haven’t seen in ten, but we still feel connected, and we only talk about Rap. You really understand nothing about hip-hop, trust me. << You should ask the hundreds of people who were under the stage giving their support to this and other groups. >> Hundreds of people? I used to go to the jams, and if there were 100 people, it was already a victory, let’s not talk bullshit like "the good 'ol days." Back in those days (94), rap was already “out of style” (the trend in Italy exploded in 90 only to die in 92), and trust me, the hundreds of people you’re imagining are just in your head; today you can talk about hundreds of people. << Tastes are subjective, but arrogance is not. >> Instead, you're modest, talking about times you didn't live through as if you were King Pinzu or Militant Ha.
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<< I don't appreciate your sarcasm >> I'm being serious. << I really don't think it was funny in the first place >> No first place, I was there, and I laughed. Not alone, we all laughed together. << The artists involved were trained in a period before its release, during which (according to no one but me) it was UNTHINKABLE to do Rap in a language other than English. >> Others thought about it. << I strongly doubt it was a way to put themselves at the same level as the Americans >> You don't understand. The point was that we listeners compared them to the Americans. All of us, in fact, Radical Stuff didn’t sell a damn thing, but nothing at all, Rapadopa in comparison is a platinum record. In the sense of "nice cd from Gruff, scary Italian rap!", what crap "Radical Stuff, shitty rap in English!". Regardless of what they wanted, you have to put yourself in 1994 mentally, and if you do, you’ll understand that there weren’t any adult B-Boys who knew English perfectly, the B-Boys were 90% ignorant high school students, it was too new to have "adult" admirers. So for us, between not understanding a thing and feeling their lacking flow, we understood nothing and felt the flow of New York's Masters. << I believe they thought they could take ownership of a language that wasn't theirs >> A language that wasn’t THEIRS? Aside from Kaos, the other two are native English speakers. Too bad they didn’t know how to use that language.
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Are you telling me that King is unaware that ellipses are THREE and ONLY THREE, so they use them randomly like the Bimbiminkia on Facebook? Are you also telling me that King doesn't know the grammatical rules that govern the use of capital letters? Or what are you trying to say to me?