puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8020 days

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  • Here since 21 october 2003
Voto:
<< A meticulous work on frequency decoupage justifies a commendation. Setting music aside. >> But why the fuss? There are people who appreciate the more "physical-mechanical" side of sound waves, and good for them; you enjoy things that they miss out on and vice versa. You, for instance, are always looking for a "logic" to universally define what is valid and what is not, and you delve into thought architectures based on the fragile foundations of taste. You get off on this, and others can’t have fun making little drawings of sound waves on their PCs? Come on, you really are a Nazi. I was asking you about Deaf Rave to see if you would include them in the history of electronic music; they would make for a great final chapter, but I know that your Nazi side wouldn't appreciate certain things. Infamous.
Voto:
I was also of your opinion, I used to be one of those "what the hell, even mp3s sound great!". And it's the pure truth, unless your name is Autechre or something similar and you deliberately use bastard frequencies that are hard to reproduce in mp3 and that even on standard CDs need an insane amount of sound power to be perceived by the human ear. I don't want to lay down an axiom (especially since I can't do it) that holds true for all music, I'm just saying that I really loved Untilted when I heard it with the right equipment, whereas at home I would say "so what?". Maybe the reviewer of Untilted can tell you which frequencies they use to create certain sounds and why those frequencies need blah blah blah blah, unfortunately I can't. BUT HAVE YOU EVER BEEN TO THAT FUCKING DEAF RAVE YES OR NO?
Voto:
But which DVD, a program by Devine RICHARD, no DVDs. Even though now that you mention it, one could record the images of the program on DVD from the PC. << Who formulated this theory about the discs to listen to for 1/4 on a crappy stereo, 2/4 on a professional stereo >> Those who listen to Deaf-Rave. It’s a mystical experience on professional setups, or complete silence with mp3s on a standard stereo.
Voto:
But what the hell is Deaf-Rave?
Voto:
You don’t care because you haven’t SEEN the record, so you only enjoy a quarter of it; you’re missing the visual quarter and the other two quarters that come from a professional sound system that blows your mind with the sounds of Untilted. I’ve spent euros on my stereo too, a lot, but Untilted in my setup "doesn’t work." It’s just too professional.
Voto:
Have you heard these fucking Deaf-Rave or not? Come on, I need to go, I want your opinion on ghosts.
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However, I have a lot of Devine DVDs, her name is Ava and she doesn't work as a sound engineer.
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Ah, I forgot << Hey, but it's really concerning how you resurface instantly when you're called out. >> I wrote a comment 3 minutes before yours, it's God who brought us together in the same place at the same time, like Bim Bum Bam.
Voto:
"If I like something, I don’t let it gather dust, but I try to understand it in every way, listening to it continuously." Me too, but it’s not like I can spend thousands of euros on equipment to hear Autechre. When I visit a certain friend in his wonderland of tubes and speakers up to the ceiling with bass traps in the corners, I only play the records by sound engineers that he has, like Untilted, for instance. The problem is that he lives in Brighton, and I don’t. And above all, I emphasize again that I’ve SEEN/listened to it; the Brighton engineer told me, "This thing has to be experienced, it’s not just a record, you know?" I don’t have Devine’s programs, I don’t have any use for them.
Voto:
Now it tells us that with his stereo -> <- Autechre sounds great.