puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8023 days

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  • Here since 21 october 2003
Voto:
Go there and bring the whole building; it's something that doesn't exist. Everyone minding their own business, but all on time for their own business. The only slightly off note, but justifiable, is when Tofani recites some lines from Stratos; there they slow down for a moment. For the rest, they're a galaxy roller, with a sound system so noteworthy that I believe they would have all the girls in the front to the seventeenth row feeling it. Better than records, better than before, better than Nutella.
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I saw them yesterday in a godforsaken little town, a reunion of all the living; no voice, Walter Paoli on drums. It’s not that they play, they provide answers to all your whys. They are the cosmic whole.
Grido Io, Grido
17 aug 11
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<< the pivot and the word and the art of manipulating it, rhythmically, metrically >> Exactly. So the texts you mention as manipulation are zero, talking about something is not manipulating the word. The real rap game is talking about nothing and keeping attention. Fibra, the things he says he did as a kid drawing inspiration from Neffa by his own admission, not by chance is his first album produced by Neffa. And the results were these Neffa before giving it all up reached the Zenith with this I’ve listened to all Italian rap albums from the Mesozoic to today, and no one has ever talked about nothing better than Neffa. The other side of the rap game is to take the piss, and there the Zenith belongs to Gruff Fibra is good if he wants to be, but comparing him to the "Bolognesi" is non-existent, he's also quite inferior to the Milanese, and even Il Grido from the review messed him up years ago and Fibra has never replied out of shame, rather he eventually turned to commercial for shame and apologized to him. To compare Neffa to someone who apologizes to Grido... come on...
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And to finish, look at Crispino. At least he knew something about the old events; in fact, he stays quiet and has crapped himself. Every time they try to interview him, he only says "I’m scared." I believe that he's scared.
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Oh look at Saviano. He has only and exclusively reported legal documents in his book. He hasn’t said anything new, and the little that comes out of the legal document framework talks about scugnizzi worth nothing. Basically, he hasn’t done a damn thing, but he’s not calm at all; he’s scared just because he has raised his head a bit. When Mancini disappears under mysterious circumstances, maybe I’ll start to believe it. Maybe. Just listening to him speak makes it clear that he’s a poor fool, a bar brawler who ended up like a bar brawler.
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Look at the Roman drag queen involved with Marrazzo. She was nothing, just a whore who heard gossip and had the credibility of a gossipy whore. Yet, as she said, "I will talk," it lasted half a week. Mancini is casually wandering around bookstores, chatting nonsense, which even pleases the real ones because at least the audience is busy listening to nonsense.
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"Let's talk about the Mafia, for example." But indeed, in Rome, it exists. And so do the others. The Magliana was unique, under Er Negro, because it was Roman. Once it became a tentacle of the others, it is a tentacle of the others. "Mancini, aside from being a beggar, albeit a braggart, we can't know." Of course, we can. It's impossible for him to know who manages what and when from prison after spilling everything on TV and to the four winds. And above all, it's impossible for them to let him talk so freely and wander around without protection. We can know just fine; we just need to turn on our brains and turn off the TV, or the DVD player, or Megavideo.
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To give you a classic example, Mario Puzo also drew inspiration from reality. But he had the decency to always deny it, and he changed and reversed so many roles that it's hard to find a real name to connect to the book/film. Precisely because he didn't want to create heroes from the scum of the earth. De Cataldo and all the crew that followed him did the exact opposite, creating heroes and shooting at the Red Cross. While Donnie Brasco is a great film, without any ridiculous exaggerations and super mafia guys who fear nothing, it tells the story of a real hero by portraying him as a hero.
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<< The work I’m talking about is by Placido. >> Sure. It’s by De Cataldo. Placido and a minimum of a hundred other people - MINIMUM - just adapted it to film. Anyway, this is the series review; I wrote "great movie" by mistake, I meant "great series," but here they audaciously try to adapt a historical fact, and “Magliana” is repeated three times in every episode, all the characters outside the gang are properly placed in reality. The film is a colossal piece of crap, millions of facts squeezed into two hours, and on top of that, minutes and minutes wasted talking about a whore. I don’t remember a damn thing except that Kim Rossi Stuart plays Crispino with straight hair, and that other Italian actor plays the good cop against the SISDE. The work you’re referring to doesn’t exist as a work; it’s just a condensed adaptation.
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Besides this, you ruined the chance of making a real film or a real series. If they had truly put the story of Roman crime from the late 70s to 94/96 on film, it would have turned out to be an absurd masterpiece involving Mafia, Camorra, Judges, SISDE, Police, Opus Dei, Banco Ambrosiano, IOR, Ndrangheta. Instead, now no one will make a "remake" because there's already this crap ruining the most interesting criminal history in Italy. Therefore, De Cataldo is a piece of shit.