Eneathedevil

DeRank : 18,21
DeAge™ : 7754 days • Here since 18 march 2005
Lucio Battisti Don Giovanni
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Therefore, with Mozart I believe there are few convergences: the opera is clear of that teasing grace that characterizes all the works of Wolfgang (or at least the most famous ones: the homonymous, "Die Entführung aus dem Serail," "Die Zauberflöte," "Le Nozze di Figaro," "Così fan tutte"), except for the famous scene of the father's apparition, where the tone darkens significantly; I don't think I can identify points of convergence, at least on a musical level—assuming, of course, that I am not very knowledgeable about it myself; at most, research should be conducted, as Hal says, regarding the myth of Don Giovanni, independently of Mozart's opera.
Loreena McKennitt Parallel Dreams
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Fantastic, Grass, don't tell me you know Old Blind Dogs too...
Lucio Battisti Don Giovanni
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Not so much the talk about the shrimp, but the "souvenir spheres" make me think of Welles' whispered "Rosebud"... it could be, great insight, Bogus.
Lucio Battisti Don Giovanni
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But come on... why? Maybe some reference to the myth of lost youth, huh? Explain yourself better.
Constance Demby Novus Magnificat
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Interesting, Ege...to remember. Some electronics make me sick, while I'm very interested in gothic and Gregorian...
Lucio Battisti Cosa Succederà Alla Ragazza
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...And I think that "Don Giovanni" is the least coherent of all the latest! The best is "La Sposa Occidentale," followed by "C.S.A.R.," "Don Giovanni," "Hegel," and "L'Apparenza."
Lucio Battisti Cosa Succederà Alla Ragazza
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On the title track, I believe there are few doubts that it depicts a brutal act against the girl. For "Cosa farà di nuovo," there are few certainties, just like in the rest of the album, where only situations and places can be identified.
Lucio Battisti Cosa Succederà Alla Ragazza
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Yes, but this only concerns the first and last track of the album, it could be a coincidence. Do you agree with those who say that in "Cosa Farà di Nuovo" the male protagonist of the work kills the "girl," tormenting himself late at night for the crime while she now "feels blood of his blood and flesh of his flesh..."? An intriguing hypothesis, but who knows.
Lucio Battisti Don Giovanni
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"Feathered Mother," an incomprehensible masterpiece, and not by chance have I quoted a fragment at the end of the review.
Lucio Battisti Don Giovanni
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I don’t know how to say it again... I really don’t like “E già”! I find it banal, too childish to be called a wonderful naive work, full of new age messages like "Rilassati ed Ascolta," "Scrivi il Tuo Nome," etc., that could belong to the worst Enigma, certainly not to a fine storyteller like Battisti, who has expressed himself through the emotions of Mogol and has explained himself through the linguistic finesse of Panella. The title track and "Straniero" are the only ones worth saving.