Eneathedevil

DeRank : 18,21
DeAge™ : 7756 days • Here since 18 march 2005
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
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For example: I disagree. It's not the trivial melodies; it's you who trivializes the concept of minimalism that aims to center the discussion on repetition. For you, it's triviality; the melody is banal. And you're subjective in your comment, but you present it as an objective observation, so do not shy away from what I assert: there are marginal parameters through which one can say how one thing is better than another, and you yourself make use of them. And I didn’t understand much of what your friend said. The truth is that you are a real mess (and not even on Via Merulana), just to throw in another literary reference, and to Odra, I break my heart because I love reading very little, and I don't follow him much in his quotes.
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
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Well, I really like fractions, truly. Exams are good too. Nonsense aside, I'm attentive while I read: I saw a 4 that you hadn't given before, so I thought you had listened again, instead you were living off a late memory. You're a bit blond, just at the surface.
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
Voto:
Perfect, feel free to judge, but maybe there's some room for objectivity when it comes to the grades. In my opinion, they exist, and they're what allow you to praise Wagner's Lohengrin and have some reservations about Britney Spears. General guidelines. So, in the "comment," we write everything we want, expressing what we think about this and that, saying how much a work has truly involved us, stating how much we actually believe in the judgment of some know-it-all about... but in the numerical grade, only in that dreary little number that serves as a litmus test for the intrinsic value of the work itself, we must not have the presumption to pass off what is not gold as such and vice versa. A greeting from your rejected big cat.
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
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But what you really haven't understood, my sweet and confused Odra, is THAT I AM NOT A BLONDE. I mean, this must be the twentieth time I've read about this "blonde" thing: I'm brown-haired, and also dark. And since you've mourned my photos, blessed be the original of the reviewer profile, so you can see the hair color properly and tell if I really am a blonde... Enea, to a colorblind Odradek
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
Voto:
Yes, Trell is a bit impulsive in her judgments, but at least she honestly explained to me that she always votes based on her personal involvement: a respectable opinion but one I cannot agree with, as I always think that in the numerical evaluation of something one must have an impartial view, somewhat like saying "I’m not too personally involved in this matter, but it’s certainly a product of a certain quality." Regarding this work, I believe there are not many reservations, especially when you consider that in this world a lot of honest music of far inferior quality is praised, and comparisons, alas, must sometimes be made. To give a 4 to a work like this means giving a 2 or 3 to the vast majority of today’s pop-rock production, that’s all. Value scales. On the matter of pain, rien ne va plus, we speak the same language. I don’t understand the postscript, as I clearly explained in the post that I did not want to speak in "whining" terms about the Holocaust, limiting myself to citing just as clearly "the pitiful prayer on the walls of a cell in the Zakopane prison, a plea for mercy and compassion from a young Polish deportee," and I thought the reference to deportation would be understandable, but since that wasn’t clear, I’ve laid out my reasons as I have.
Caparezza Le Verità supposte
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Caparezza aside, whom I actually find quite likeable, just look at these two rats who, as soon as the cat's away for a few days, start chatting like two old gossips. Odra, I promise that little by little things will smooth over, but leave that one alone. He sows discord among everyone a bit, and I think he plays a bit of the fox and the grapes: he treated me poorly, ignored me, preferred other people, and now that I’ve turned my back on him, here he is talking badly about me because I slipped away like a crazy bar of soap. Yet I loved him. The train has left the station for him; don’t believe that there isn’t a suite waiting for you. Yours once again, affectionate Enea
dEUS Pocket Revolution
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If we didn't know the precedents, it would be worth 5, but knowing them makes it worth 3.
dEUS Pocket Revolution
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I almost want to give my vote to Lukin's pseudo-review, which, damn it, hit the nail on the head. :) Taken as a standalone work, as if we knew nothing of the Belgians' previous efforts, it remains a quality product. However, if by fortunate chance we are familiar with the already distant TIC, the much more distant IABUTS, and the extremely distant WCS, we’re in for a bitter surprise! Aside from the widespread air of recycling the CD (see "If you don't..." and "Nothing Really Ends"), the series consists of well-played and catchy pieces, but lacking the verve of some time ago, so distant from the previous masterpieces that, terrifying to say, anyone who has followed the Belgian band cannot lie to themselves: this is their worst work, and it comes years after the last one, a bit like the long wait was only partially rewarding. I agree on "Bad Timing" and I mention "Cold sun..." among the most genuinely crazy tracks (and therefore the most genuinely dEUS), while for the rest, Everybody's Weird is from 6 years ago, but it feels like two decades have passed.
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
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Saturnina, if you go to Ricordi, there's exactly the edition I shredded the cover of; I recommend it for Kozlowska, or I can send it to you privately... I don't think it's circulating online, bye :)