Eneathedevil

DeRank : 18,21
DeAge™ : 7754 days • Here since 18 march 2005
Santa Lucia CUCCÌA l’apoteosi dell’identità culinaria
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Ahahahahah, I'll immediately return to HP with a 5 for the push. I'll read it later.
Kylie Minogue & Years&years A second to midnight
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The usual review by @[minogue83] with the unmissable screeched cover of the album charges me up more than my grandma's cappuccino with beaten egg. The usual merciless double whammy of 5s.
Benjamín Labatut La pietra della follia
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Truly exceptional is this miraculous gift that @[Ermes] has in drawing out from "small" works a wonderful layering of subtexts capable of making Schrödinger, Aeschylus, and Bosch coexist in the same critical reading. Then the páthei máthos is a very high concept, made even more eminent by the awareness of the two thousand plus years that separate us from yet another fantastic insight into knowledge that we owe to the ancient Greeks. Heartfelt congratulations and thank you for the tip.
Echt! INWANE
Echt! INWANE
5 oct 21
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Ahahahah, what a lovely nonsense! Office 4, clearly...
Tim Hecker Radio Amor
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So, I had to listen to it again because I remembered almost nothing, except for the eneiana I'm Transmitting Tonight (eneiana in the sense that it reminds me of the things I used to do on the keyboard about twenty years ago, tormented by my adolescence with a flavor of depre-IDM and Café Table Musik) and I must say that I confirm my memories: Tim at that time had his head drowned in the cosmic background radiation of his drones, with effects that were sometimes pathogenic on my scrotal sac (already put to the test, by the way, by the aforementioned singer-songwriters and IDM): over the years he would amplify (the dissonant "Ravedeath, 1972") and then smooth out the drone slashes up to the more recent "Anoyo," where our man juggles a bit between concrete music and neoclassicism, halfway between an Alva Noto and an Eluvium (the reference to "Copia" in the review is spot on). Let’s say I’d give it a listen every three or four years, just to not forget those good old ugly times.
A typically comicjocker-esque review with various digressions on aspiring suicides, Calvinian malaise, and a jelly of musical quotations as if there were no tomorrow. Excellent, right?
Johann Sebastian Bach Das Wohltemperirte Clavier, Teil 1 (BWV 846-869)
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Extraordinary experiment that, as much as it may seem like a self-indulgent game aimed at exploring new languages of communication in Deb, perfectly does justice in terms of content to Bach's work, with many different and timely interpretations (the one about the golden section is particularly fascinating, as it could clash with the historical genesis and etymology of Baroque, the irregular pearl, theoretically being the period governed by irrationality in contrast to the rigorous science of the Renaissance - but what arrogance do we risk draping ourselves in by wanting to see the enchantment of the golden ratio only in Botticelli and not in Bach?).

Fortunately, @[zotter] here is like Mbappè: every year he says he wants to leave PSG, but then he ends up backing down. Sometimes he throws out a somewhat lackluster zot!, but then with writings like these, he can live off the interest for quite a few months.
Kid Creole and the Coconuts My Male Curiosity
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Ahahah, the great Kid Creole on Deb! I've always liked the piece, and I must confess that I'm secretly in love with the group's timpanist: I'd watch him for hours as he lashes the skins with the most thrilled expression in the world. Well done @[rallocj]!
The Corrs Unplugged
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But she was quite a girl back then, huh.
Odd Nosdam Plan9...Meat Your Hypnotis.
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I've always said that the simil-hip-hop I can tolerate the most is by cLOUDDEAD (who released two albums on Ciccone). But here you dig Odd, while I prefer the part of Why?. Will I listen to it? Maybe. In my spare time (Cazzy above reminded me of Boom Bip's existence, and I've revisited Blue Eyed in the Red Room, which I hadn't listened to in at least ten years, so for now, I'm full).
Johannes Hieronymus Kapsberger Libro quarto d'intavolatura di chitarone
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Meanwhile, let’s restore the good old habits with a nice #capishapproved. Now, let me tell you that here you can’t talk about the guitar on par with either Eno or Ozu. If you pull the unknown out of the dust, which isn’t even the comfortable niche where a few good fanatics cling, you need to spread the semen of your scienza (pronounced with a diphthong between the i and the e, so that the root of "scire" is clear), because those words could be written by an illiterate (and this time you didn't fool me with either neologisms or noteworthy rhetoric). I had already scolded you, but you’ve fallen into temptation again. This time, no one is taking away a smack on the hands.