Eneathedevil

But then you don't understand. I haven't "made a mistake" about anything. And I’m also addressing Gargamella, who asked the question. This CD in this edition is called that. There's little to be done. You can discuss the inaccurate appropriation of Kraftwerk of the original brand as much as you want, but go discuss it with Hutter and the others if you're not convinced; it has nothing to do with me :)

Yeeees...! Finally a one of a kind, yes, yes, yes! I'm excited, well, yes, you know, I'll make do with this. I’ll quickly tackle the issue of the title and related matters: you haven’t understood a thing. ;D It’s obvious that the album belongs to the Organisation and not to Kraftwerk; the review in its "Prima...Poi" is precisely meant to convey that. Plus, this edition is somewhat lacking in graphics, the original title "Noitasinagro" is grossly wrong on the back cover, a bit like we don’t even know how to interpret the bifaces. So the matter was quite clear, you didn’t need to explain it thoroughly, tough guy. The fact is that, like a good meticulous person, I had put "Kraftwerk" as the title to spark curiosity in the subject of the review, and why not, to give credit to an edition through which the legend of this iconic album was brought back to life, without which it wouldn’t have been possible to know. And I ask you: do you have the original edition? In Venice, some loan sharks wanted to give it to me for over 50 euros, original vinyl, maybe it was worth it, but frankly, I preferred to pass. Other than that, it doesn’t seem to be readily available around, huh. So it’s better to review this one: anyone looking up Kraftwerk on Debaser will find it with a little search. And they will enjoy such splendid review. Not with your method, no. No, no. And accountant suits me just fine, indeed.

Noooo... Maccio, what are you saying? I am a fan of yours, I watch all your movies, I go crazy for your duets with Rupert Sciamenna, and you hurt me like this? Well, good old Franco is a bit full of himself. And sometimes he gets too caught up in his intellectualism. But he remains one of the most prominent figures in the Italian music scene, especially since we mustn't forget that he has always been an experimenter. Go find a particular kind of experimenter in the context of Italian song, go find one. And this dimension of sound experimenter is exactly what we get back from these early works, where there are no "songs loaded with arrogance," I assure you. You should listen to him. Maybe next time you can comment on "La Voce del padrone," but definitely not on this: it’s a whole different kind of thing.

Exceptional album, but I think I mentioned that somewhere else too. ;) Two remarks regarding your insightful review: one is indisputable about the year issue, which was '72, not '73; the other concerns your interpretation of Areknames, which doesn’t seem to me to be the "pilgrimage" you mentioned: for possible interpretations, I would suggest checking out the link to my review of the same album—there are some interesting things there. I like the choice to include the Battiatian musings from the "booklet": there's always something intriguing to find.

This work has never really engaged me, musically speaking. It has never "grabbed" me. Good review, well done.

Yeaaaaah, Straight from the top of my dome, as I rock rock rock rock rock the microphone! Damn, Cool, my natural space!

According to amendment 408/5 ter, anyone from Abruzzo or a generic "polentone" who finds themselves in the exercise of the nonexistent verb "impersonificare" has the right to be treated in the street by passersby as if they were impersonating any member of the Lega Nord. Furthermore, passersby who encounter the reviewer are not allowed to bestow more than two curses and one look of total disdain in order to avoid falling into the infraction of repeated blasphemy.

Hey, a note of merit for these guys: I’m not a huge fan of Aidan's voice, but from what I've heard ("Dream Sequence"), it seems like a good job.

Ah-ehm, you know well that you have the copyright.

What are you saying!!!! It’s the only beautiful thing, with that fairy-tale back cover featuring the big lobster that gobbled up the creature!