Cover of Franco Battiato Pollution
Lewis Tollani

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For fans of franco battiato,lovers of psychedelic and progressive rock,listeners interested in experimental and spiritual music,collectors of 1970s italian music,music enthusiasts seeking unique soundscapes
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THE REVIEW

(Franco) Battiato was, despite himself, one of my childhood heroes.

The words of his songs were, for me as a child, a fantastic world of images, colors, and sensations that traveled directly to my brain from the speakers of my father's old record player. Things like “cerco un centro di gravità permanente” or “sul ponte sventola bandiera bianca” were my vehicle to escape reality and find myself in a world of imaginative and mysterious characters whose existence I was completely unaware of. I was ten years old when I got “La Voce Del Padrone” as a gift, a vinyl record I still keep with infinite jealousy. But it was later when my love for the works of the Catanese artist became boundless... when Beppe, a friend (and what a friend), recommended I listen to “Pollution”, a magnetic work from 1973... and I was astonished...! The definition found in the liner notes is: “Gesto sonoro in sette atti dedicato al Centro Internazionale Studi Magnetici” and listening to it requires almost mystical attention and dedication.

It begins with “Il Silenzio Del Rumore”, a Viennese waltz featuring a talking Battiato who, without betraying emotion, asks us “Ti sei mai chiesto quale funzione hai?” and who is torn apart by an obsessive guitar grated over an almost malevolent church organ backdrop. The second “track” (with the ominous and prophetic title of “31 dicembre 1999 – ore 9”) consists of twenty seconds of explosions and thunder echoes introducing one of the most incredible chapters of the work. “Areknames” is a mystical journey built on synthetic and analog sounds, in a whirlpool of religious sensations confused among themselves, a pilgrimage through all the world's beliefs squeezed into just over five minutes (then try reading its title backward...). “Beta” is a tribute to psychedelia, constructed with an entirely Mediterranean taste, an ethereal choir supported by a brisk, though never obsessive, drum that cradles a piano drawing magical trajectories and Battiato's monotone voice asking “Dentro di me vivono la mia identica vita dei microrganismi che non sanno di appartenere al mio corpo... io a quale corpo appartengo?”

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Summary by Bot

The review reflects on Franco Battiato's 1973 album 'Pollution' as a deeply imaginative and mystical work. It highlights the album's innovative use of synthetic and analog sounds blended with spiritual themes and poetic lyrics. The reviewer shares a personal connection to Battiato's earlier work and praises the album's unique structure and evocative tracks. 'Pollution' is described as a demanding but rewarding listening experience.

Tracklist Lyrics Videos

01   Il silenzio del rumore (02:48)

02   31 dicembre 1999 ore 9 (00:20)

03   Areknames (05:07)

04   Beta (07:24)

05   Plancton (05:03)

06   Pollution (08:49)

La portata di un condotto
è il volume liquido
che passa in una sua sezione
nell'unità di tempo:
e si ottiene moltiplicando
la sezione perpendicolare
per la velocità che avrai del liquido.
A regime permanente
la portata è costante
attraverso una sezione del condotto.
Atomi dell'idrogeno
campi elettrici ioni-isofoto
radio litio-atomico
gas magnetico.
Ti sei mai chiesto quale funzione hai?

07   Ti sei mai chiesto quale funzione hai? (03:34)

Franco Battiato

Italian singer-songwriter and composer known for blending experimental electronic music, classical influences and pop. Career spans from the late 1960s through the 2010s. Widely praised for both avant‑garde records and mainstream breakthroughs.
96 Reviews

Other reviews

By Eneathedevil

 "Pollution is indeed a 'liquid' as well as visionary album, filled with damp and slippery impressions."

 "You have no strength to try / to change your future / for fear of discovering / freedom you don’t want to have."


By Eliodoro

 "Ti sei mai chiesto quale funzione hai?" — a phrase that condenses Battiato's reflective thought across multiple tracks.

 Pollution describes humanity swerving towards a future that tastes like a slow exhaustion towards extinction due to increasing pollution.