Eneathedevil

DeRank : 18,21
DeAge™ : 7756 days • Here since 18 march 2005
Kraftwerk - Organisation Tone Float
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I'm sorry, but I can't access external content such as the link you've provided. However, if you can provide the text you want me to translate, I'll be happy to help!
Kraftwerk - Organisation Tone Float
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Yoooohhhh! Cazzy, I’m here!!!! I’ve thought about it, as you saw, regarding the voting issue and I’ve scaled it down, I’m a modest guy, for heaven's sake. But I did some research in the meantime, and I found interesting links that disprove your alleged dirty truths: the record was liked, or rather, not disliked by many, I even mentioned it to users of De-B. Here you go: Orange
Edoardo Bennato Sono solo canzonette
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Magma? Come on, please. More refined music, I said. Remember "Bach-Metallica"? That's where the difference in understanding lies. And by the way, I'm calling you out: you talk to me about pan di stelle as if it’s something special, but that’s just a substitute too. You traded in your roosters for a few sugar stars, admit it. Let’s establish a proper timeline.
Edoardo Bennato Sono solo canzonette
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No, please! NO, no, mercy, Odra...! Not in private! Oh my God, I can't take it anymore, this man is a torment! ;)
Edoardo Bennato Sono solo canzonette
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Oh, grass, your reading is truly fascinating; how nice it is to tackle issues like manichaeism in this jungle of comments made by inexperienced youths like Josy and cazzy, who tear my naive and innocent reviews apart for being too freaky, while when I focus too much on cultural aspects, they swing by and give a 5 to the album without voting on the review (see Faust) due to a professed lack of cognitive means. Ah, what little rascals. Manichaeism? Yes, it’s true. But I like it this way. I genuinely find the fairytale-like Bennato charming, sincere, and polite, unlike, I don’t know, the often cloying Nomadi, Guccini, or the aforementioned Simone, who really gets on my nerves. Maybe Guccini and Nomadi even produce better music, sure, but because I primarily praise this aspect—the one of formal sincerity—I prefer him to the aforementioned ones from this perspective. In this sense, the opposition of good and evil, only from this angle.
Edoardo Bennato Sono solo canzonette
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caz, thanks. What do you want me to review next time? I have a soft spot for "Pagliacci" by Leoncavallo.
Edoardo Bennato Sono solo canzonette
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Gentlemen, my gentlemen. Gathered here in the name of Josie, Caz, Jim Morrison, I finally understand. It has been a long night of torment filled with voluptuous and reproachful thoughts, but in the end, I’ve grasped everything. You’ve done all this because you hold me in deep esteem. Yes, that’s it. I’m especially addressing you, Caz, who said that no one believes I like Bennato... but this is a compliment, it’s a testament of deep love, forgive me for not realizing it right away. You, together with Josie and the others, think I’m a classy type, cultured, someone who deals with much finer fodder. That’s right, yes, you don’t believe that I like Bennato because you know very well that I am a refined man; you hold me in high regard for much more, and as soon as you saw this testament of esteem for the modest Neapolitan (if I had said Christina Aguilera now…!), you believed that from the heights of my refined tastes, I could not possibly sink so low. Caz, my dear, thank you. Thank you to you too, Josie, for your low votes, with which you wanted to make me understand that you are waiting to drink again from the well of my esprit de finesse like a flatworm awaits a Laërtius scrotal sack. Thank you all. I know you esteem me. Thank you again.
Alfred Schnittke Chamber Music
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I will be silent
Edoardo Bennato Sono solo canzonette
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Well, I could have done this finale better! ;D At least you two made it, so we can build a serious discussion. And above all, I tell you, Soc, that you’re absolutely right. It's the usual talk about false modesty, about how seriously an apology should be taken. I believe in Bennato's sincerity, but at the same time I acknowledge, as you suggest, that there’s something more, something serious that came out of Edoardo’s mouth a bit unconsciously, without a threatening project behind it. Perhaps I should have focused more on this aspect, but I preferred the first reading, which is that of "simple little songs." The second is the one where there’s something serious in all this: the harsh judgment on Italy in the '80s, as you say, is an example of that, but if I started to talk about this too, the review would have become even more verbose than it already was. :D Regarding the interpretation of the pieces in general, I prefer to think that the songs are faithful in their inspiration to Barrie's work; that idea fascinates me more ;)