Eneathedevil

DeRank : 18,21
DeAge™ : 7755 days • Here since 18 march 2005
Ludwig Van Beethoven Sonata per pianoforte in do minore n. 32 op.111
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No, it was worse when it was worse, we live in the best of all possible worlds. Or you wouldn't be here writing, huh.
Ludwig Van Beethoven Sonata per pianoforte in do minore n. 32 op.111
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Oh my God, she was so beautiful, sorry, I couldn't resist! :D Anyway, all jokes aside, there obviously isn't a rule. I only know, and you know it too, that there are people out there to be ashamed of. And they are neither trans, nor gay, nor who knows what. They're simply unqualified people.
Ludwig Van Beethoven Sonata per pianoforte in do minore n. 32 op.111
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Hey, instead Burns said at least interesting things. Perhaps the reading about the press is a bit forced, or at least too subversive, but the reasoning, however based on debatable grounds, is correct. I especially agree with the fact that it was not appropriate for everyone to want to be elected solely for the guarantee of literacy: it may be democracy, but this must not become the facade behind which to allow all the distortions of this world.
Can Monster Movie
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Very well done, Lewis, a review fitting for a substantial album. I completely approve of Festwca and I’ll add: personally, Can are the ones I like the least in the krautrock scene. Fundamentally, this judgment comes from the fact that I consider their sound too confined to the historical context: the first time I listened to Ege Bamyasi, I thought it was undeniably from the '70s, which I didn’t think when listening to Neu! and Faust; Mooney’s voice, the drums, the guitars are exquisitely '70s. And the shifts in style typical of progressive aren’t as pronounced and dynamic as in the case of Amon Düül: at times, there’s a fair bit of exhaustion. I enjoy the twenty minutes of Phallus Dei much more than the twenty of You Doo Right. This has historical importance, but Tago Mago stands a few rungs higher for its volume and variety of experimentation.
Ludwig Van Beethoven Sonata per pianoforte in do minore n. 32 op.111
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<<<Well, as Ecsed said to Aeneas, the definition is certainly difficult, but that doesn't mean it doesn't exist. The "de gustibus" is a principle that holds, for sure, but it shouldn't be misunderstood: it indicates that every preference is legitimate, but it refers to the subject and not to the object. It means that no one can stop another from appreciating a given object (music, book, painting), but it doesn't mean that all objects have the same value.>>> Obviously, I refer you to Sono solo canzonette - Edoardo Bennato - Recensione di Eneathedevil and I ask you whether, in light of what you just said, you wouldn't deserve to be beaten to a pulp by yours truly :) Your stance is a form of relativism as well, but let's pick up this discussion tomorrow. In the meantime, if you don't mind, I'm going to look for that email about the principles of "good music" that I sent you a few months ago. If I find it, I'll post it, and we'll see if we can address this relativism issue. Bye
Pan Sonic Kesto (234.48.4)
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Mom, I missed that note about the four quarters. I missed it, I really did. What a mess!
Pan Sonic Kesto (234.48.4)
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Well, fine, straightforward philosophy: if Exil Sils Maria bores me, I'll skip ahead with the FWD. Do you like the idea? A bit unrefined, but I assure you: very practical :D But what an effort it takes, I don't listen to just anything; in many ways, my listening preferences are quite limited. The box set is interesting; what's inside? As long as it stops at the early '80s: after that, Schulze became resistant even to the bisulfate magnesium about heaviness.
Ludwig Van Beethoven Sonata per pianoforte in do minore n. 32 op.111
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But that doesn't mean I think like you do. In this regard, I ask :)
Ludwig Van Beethoven Sonata per pianoforte in do minore n. 32 op.111
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Alright, Ecsed, now you can also explain to us why :D