katzenjammer

and above all she's a stonerwoman...

The tool has been left a bit in the middle with these things... I knew that Danny Carey, the drummer, created the patterns of the beautiful "Schism" using strange mathematical calculations based on the proportions found in a map of some ancient Inca or Maya city. I don't know how much truth there is to it; they remain nonetheless psychologically and physically disturbed... legends, but still disturbed.

Yes, I remember that before going on stage, his middle finger would pop up from behind the scenes... Now, since it was Nick Oliveri doing it, it means he was in a great mood. And even after, while playing, he fully believed in it.
It depends on what you do... as some filthy metal band like Carcass said, "how do we create our songs? Well, it's very simple: if we want something slow and sad, we shoot up on heroin; if we want fast and heavy pieces, then we switch to coke."
The most depressing thing of all is that just before Nick got kicked out by Josh, he said in an interview: "Oh, guys, nothing could be better than this! There’s a feeling in the band that has never been there before, I care a lot about Josh and he cares a lot about me. I believe we will keep playing together for a long time." He brought a bit of bad luck upon himself.

Well... a little oversight, what do you think the vote should be? Anyway, I give it a 4.23 (that twenty-three just to be picky to the end and nitpicky). I don't know how the word bonza came to mind... I suppose it's a derivation from the local dialect, from "beggia," whose technical definition is: "belly of a heavy drinker and a staunch supporter of foods saturated with fats, mainly derived from pork."
Listen, Psycho, don't offend the charming and exquisite beauty of Joshhino, you know?! Ah, that ham-like appearance... like mortadella with red hair... his sweet dilated pores like an American that ooze liters of sebum... aaahh...
(Oh my God... there's a brown blimp without a propeller and rudder inside me... my body is changing in shape and color... I'm becoming sadofetishgay... let's change the subject).
It's a shame that ten years ago I was still very young and immature... I missed the Kyuss who played 30 km from my house... damn what anger...
Indeed, at Vox, they really pushed it... it was my very first concert with a mosh pit, I had a fever of 38 and vomiting, and some Russians or Poles next to me, drunk and high, were crushing their gonads... but I actually had fun in the end. And to think they play house music at Vox six days a week.
Oliveri was extraordinarily calm after being kicked out of Cozza... I was expecting something like -bald junkie launches at breakneck speed with his pickup truck against the porch of an old friend- Maybe he's going through a deep depressive crisis... so the paths are two: either he turns to doom metal or he commits suicide from a barbiturate overdose. I think it's more the latter. Or he just doesn't give a damn anymore and is a happy junkie with Mondo Generator...

No, no... wait, you’re right. I explained myself poorly! Let’s define the concept of “beautiful cover.” In my opinion, there are two types of covers:
Type a) WORKS OF ART, see Lateralus by Tool. Raise your hand if you're not afraid of ruining the vinyl cover of that album! (Apart from the fact that I often end up getting lost trying to find esoteric meanings among the muscles and pentacles of the human dissection in the booklet). Or the first English edition of III by Led Zeppelin on vinyl.
Type B) THRILLING COVERS. Obviously, stoner bands fall fully into this category. Creating a thrilling cover means putting together the most exhilarating cover possible in the shortest time and with the least effort. Blues For The Red Sun... what the heck is that? A photo of Brant Bjork's grandma’s carpet? I don’t know, I see sunflowers (also because I don’t really trip on covers)!! But, in its simplicity, it perfectly conveys what you’ll find inside the album: torrid, blazing music, rivers of lava. And then you open it and find yourself catapulted into the desert, in front of a gigantic headboard marked KYUSS, dusty and dirty. It’s the simplest artwork in the world, but it’s thrilling like few others. Just like Sky Valley, And The Circus Leaves Town, R, SFTD (already more elaborate), QOTSA, Deep In The Hole, all the Desert Sessions, and so on.

As for the cover, has there ever been a beautiful Queens cover? And above all, is there a stoner album with a booklet worthy of being called such? Or are they all just a single piece of cardboard with some nonsense written on it?

Ahhhhh snow damn!!! It took me two hours to cover 4 kilometers by car aaah ahhh sbaaah buahhhh swbawbabfksbkdbvkjsda! Do you remember the old website of the cozza, where there was the family tree of the stoner? Well, at the root of it all were the katzenjammer! It was the band Josh played in when he was still a little kid just starting out with the guitar. I don't know how young he was, given that when Blues for the Red Sun came out he was 16, but he was really just a kid. Those were the days of the very first Generator Parties. But... can you believe that one of the greatest records in rock history was written by a bunch of acne-riddled, pubescent kids? It's all quite amazing! Still no sign of my review?

I sent the review and received confirmation of its arrival, and I used the name of the oldest stoner band, that is my nick, that is katzenjammer. Maybe you’re right, damn; it’s just a matter of waiting. What doesn't add up for me is that I received 2000 emails with votes on the review, also signed damn. Well... speaking of katzenjammer (even if I think you already know this), they, the very first band of homme, recorded a single vinyl, produced in 1,000 or 10,000 copies, I don’t remember. Well, that bunch of records ended up like this: a few hundred Joshua gave away to his friends and acquaintances, and the rest are all in his garage in Palm Desert... now that’s an unfindable record! Who knows what stoner mysteries it hides...
Anyway, I stick to my opinion: the version of Lullabies that's circulating on the internet, in my opinion, is not the definitive one. I mean, even if the title suggests it’s relatively calm material, they are still the COZZA and, okay they’re not Crematory, but there has to be something similar to "You think I ain't worth a dollar..." or, even better, "song for the dead"... considering homme has been acting all cool, boasting about this metal song, "the fun machine.... etc. etc. pizza for dinner"! Ah, VERY IMPORTANT NEWS: to confirm my thesis, at the concert, they played a piece sung by Mark+Josh that’s not on this famous record we downloaded! I hope.

I'm just missing a tiny and insignificant detail... where did the stuff I wrote while sweating blood and yellow shit (mayonnaise. Pulp Fiction Ndr) go? I would like to see how many 2s I got, so I can take my time to take revenge... by violating the hamsters of those who dared.
P.S. Josh Homme is Elvis Presley's secret son... he has red hair because his mom is Jessica Rabbit.

I would never dream of disrespecting Mr. Clitobuster... it was just the opinion of another person present at the Cozza concert... Anyway, I really hope that the final album has some tracks we haven't heard yet... in the old-cozza style, and a bit more energy... because, as much as I like L T P... I mean it needs more drive!