Ghemison

Yes, nice review... but for the rest I agree with much of the first comment from BiancoENero (not regarding the critiques of the Rondòs simply because I’ve never heard them) who, despite the ratings, wrote a comment of rare clarity.

A reading I hope you find enjoyable and the votes. Why? – Alopecia | Recensione | IndieForBunnies

Wow, you're really good... but here it's a bit off, in the other one you seemed more effective. But who cares, visionary. And with two cool and original reviews in hp, that's not something everyone can do. I have the first Subtle, great album... okay, less out there than cLOUDDEAD but Jel struck me as an excellent conductor with his all-present jungle-lowfi, maybe even more fundamental than DoseOne himself. And to the latter, I could never forgive him for dissolving cLOUDDEAD, because yeah, it's his fault and his damn too many acid trips (and I understand it, but I wasn’t part of cLOUDDEAD). Although after Alopecia by Why? the breakup seemed almost necessary, that album is too focused, in tune with the times... really nice, even live it’s not bad. So I'd say I definitely prefer the other solo voice of cLOUDDEAD over Dose, too caught up in his ramblings even though the talent is probably greater in the latter, but Why? really knows how to (de)write better... sorry for the confusion, but when I write about the Oakland trio I find it hard to stay clear-headed (and tonight even more so).

so for the average.

Said by Kosmina, it's quite a compliment, but it's true... you really excel at it. And you propose new things on deB, well done!! But come on, 'stp disco isn't that great, a maximum of 3.5.

In my opinion, the problem lies in the beats; you can tell whatever story you want (even how much you like pizza) but you need to have flow and good beats. The first one in Italy has it, but it seems like no one can pull out the second ones. You can’t keep making those damn gangsta-like, Shaolin-like beats when RZA was creating them over fifteen years ago. You can’t when monsters like Madlib, Danger Mouse, Roots Manuva, Dalek, and the rest of the crew are coming out of America and England.

vote.

rather bland review. I won't comment on the reunion, but in the past, BV has done some pretty good things, and the chemical trilogy is definitely rich in inspiration.

everyone focused on attacking poor Poletti, who wanted to be ironic but unfortunately isn't very good at it, when the one who should be targeted is Il_Paolo (the reason is in the first comments of this review, in those of the other one also dedicated to Il Divo and especially in the rubbish he sends almost daily to this site).

It must be said that the avant-garde Futurist proposal has yielded its most lasting fruits precisely in the musical field: Russolo can rightly be considered the father of all modern electronics (unlike the poets who, with their "tzing bam," will neither achieve the hoped-for results nor be truly influential). Interesting and beautiful this review; can you tell me if the album is available legally?