Peppe Weapon

Also worth noting is the "other" cover... a delightful fresco of hazelnut and Nutella.

Only the cover is a program.

If you tell me that I used inappropriate terms, I have a bit of confusion with the genders... Can't Wanderer be considered a composition with references to the Baroque?

I haven't sought additional information about the Illusion, but out of curiosity, I should do that. More than anything, I wanted to receive feedback on the quality of the review: a 3 is usually a negative rating on DeBaser, I’m not looking for positive ratings (otherwise, I wouldn't have written the review on the Wham!), but usually, they tell me what's wrong. More specifically, I wanted to understand what you didn't like about the review... did I say that there isn’t a certain difference? The musical style has undergone few variations, mostly in Haslam's voice, and we agree on that. I just wanted to know if there was something wrong with the form, that’s all.

The first, and above all, this LP by Muse is their best work; everything else is boring. This one, especially, tends towards melodramatic in a slick and cloying way, but it can't be denied that the compositions are inspired and catchy.

I'm not crazy about the suite on the second side, but it's a solid album, one of the best in the Canterbury scene... especially the first track, an incessant part that then rises into total tranquility.

You forgot to mention that it also took the minimalism of Agoraphobic Nosebleed and the ferocity of Slayer.

THE NORWAY OF WEREWOLVES was my phrase of the day... it made me implode with laughter.

Soon I believe I will review the first, very interesting album. As for Prologue, well, I place this album in the Renaissance discography just below Turn of the Cards... this album is practically perfect, featuring epic, fast, melodic, slow, and psychedelic songs... special mentions go to Prologue, with its overwhelming flow complemented by Haslam's vocal embellishments, Spare Some Love and, above all, Kiev, one of their masterpieces, even though Haslam isn't on vocals... I believe that for the pacing of the song, Haslam's singing wouldn’t have suited it, so the male vocals are better, darker and more somber, ideal for a melancholic and "dark" song.

I copy-paste the comment on the review of Poletti: the film aligns with the superficial satire of the latest series: not spontaneous enough, too moralistic, contrived, and prolonged... the early Simpsons were about immediacy, while the new Simpsons are rather "heavy," including the movie... unfortunately, I remember very little of the film, except for the overused gag of Spider-Pork, Homer's hallucinations in the snow, and a bit of the final scene... it's a pity that the episode $pringfield (to mention what I consider the best episode of the series) is 100 times funnier and more unforgettable than 1h30m of enjoyable film, but below the standards to which the Simpsons had accustomed us. It's a 3.5 rather than a 3. The review, on the other hand, is short and concise, gets straight to the point, and makes it clear why this movie doesn’t work, so it deserves a nice 4 out of 5 :D