Qzerty

Indeed, this site is absolutely awesome; it’s no wonder it has become somewhat of an addiction. And to think I was warned about the risks I was taking by another user from Bari, amazing.

So in Morgan's rec you sang and played it all by yourself, huh? Good job, good guitarist of my boots... and I even said you're good. I take it all back, actually now I might just tell Ivan Iusco ; ) Bye.

I believe we know each other, you've even listened to some of my stuff...
Best regards to Olivia (Rec.) and that brute Spada!

I would say you didn't miss out on anything, but don't worry, the list of people from Monopoli that I know (or that I will know in the meantime) is still long... scary, right?

ZiOn!!!!
The cool thing about Negramaro at Sanremo was that during their first performance, the pre-recorded track with overdubs didn’t start. It was great because we heard a very raw sound, very LIVE, absolutely unprecedented for the Sanremo "Kermesse" where performances are always softened (or blunted?) by violins, or these pre-recorded loops, or reverb cranked up on the vocals. Their first performance was completely and unintentionally out of the ordinary and it shook me awake from the daze triggered by hours of live TV.
Then I can already imagine the scene:
La Caselli backstage or in a limousine parked in the VIP area of the Ariston, Corrado Rustici (who is following the Festival via satellite) on a video call from the States tells her: “Caterina, the base didn’t start, do something!!!” She doesn’t even bat an eye; she knows the Festival’s rules by heart, she’s certainly not sending artists to Sanremo for the first time, she waits for the end of the song, calls the artistic direction and states firmly: “The performance of my artists was compromised by technical problems, I demand that it be repeated!”
This advantage (in fact, they played twice) was not enough to qualify the Puglians, but I think they’re doing just fine anyway.

Molko, on Saturday at the celebration for Nichi Vendola's victory in Piazza Prefettura, there was a guy named Tonino Zurlo (or Zurli?) a storyteller from Monopoli (it seems) who launched into a half-hour monologue with his guitar. I had a narcolepsy attack by 7 PM; is he by any chance a relative of yours?
And were you there?

Molko, what do you think about Paolo Zanardi?

Ok, the ideas are there but they don’t mean anything to me!!!
I much prefer the Remixes.
DM are sadly finished unless there’s a shocking denial with the next album.
If your Top Ten includes Violator and Songs Of Faith, you should understand my disappointment listening to Exciter.
Ultra is another overrated album but for me, it's better than Exciter.
The overdose story (which is true anyway) was brought up by an angry fan,
because the DM who made the history of Electronic Pop have high expectations placed upon them.
The fact is that in the studio you can redo a part endlessly, but I assure you that Dave no longer has the voice he once had, cf. the DVDs of the devotional tour compared to 1 Night in Paris and then tell me.

Let's say that Rustici has completely reworked 4 Tracks from the first CD.
Those that Sugar chose as singles, the rest of the album is the same.
When it comes to Caselli, it's normal to accept compromises, like change that verse, change that guitar, change that haircut!!!!
This Is Show Businezz Guyz!!!

Senigallia, now I've noticed!