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It's certain that they've borrowed from here and there, more than what is universally acknowledged. But - for me - they don't lose their charm, and I don't find it that important; actually, I should probably thank them because they've prepared me for listening experiences.
Goodness, it's been 14 years...??? Brrrrr. I was more than just a teenager back then; I've always viewed them as my peers, not purely for age reasons—those who said otherwise were perhaps already too old to be taken seriously by me and by those who listened to them.
A good part of your introduction could easily have been stated upon the release of this album, but today I don't see it that way. Perhaps I don't understand what you mean by "Always considered... and of little substance in the Italian alternative scene" ---->
Well, off the top of my head, I’d say this collaboration wasn’t random.
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Geeny, it hurts so much that I can't finish reading your writing. Let alone if I would ever read the book. Just remembering it gave me a stomach ache... Maybe the book doesn't even make sense, why write it? Something similar happened in Spain a few years ago, and still there’s nothing to learn from such an event.
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"Bionda Sardegnnia" was the advertisement for that putrid yellow brew passed into the hands of the Dutch enemy.
"Monumenti aperti nei paesi" is an initiative - I believe - entirely regional (maybe along the lines of others, I don't know). I have always been quite disappointed with the quality of the presentations, perhaps due to the high expectations that one has when visiting museums and understanding the importance of having a guide who is up to the task. The only truly good aspect is the opening of normally inaccessible places and attracting all that burrumballa of people who can finally take more original selfies instead of photographing themselves in the mirror.
FAI days are more interesting, more structured. Rarer, too. Le Giornate FAI di Primavera: riscopri l'amore per l'Italia
Saturday and Sunday it's our turn. Now that I think about it, I'm going to sign up now.
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I speak
You speak
He speaks
...

This thing about judgment is getting out of hand for you/us.
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Good times when they produced such a psychedelic sound mix that you thought if you didn't understand anything it was just "your fault," they were cool because of that. Here they smell of Brian Jonestown Massacre.
Bo!
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I'm on the last piece... come on, there are still 6 minutes to listen to, will something happen at some point? Or did he just want us to know he has a nice voice? Boooo...
Of course, it's not a 5. Not even a 3. A 4 fits, but given without heart.
They lost something even though they have improved.
I would say the Primus are imitated in some parts, BUT THE "SERIOUS PRIMUS" really no, you just can't listen to it.
I'm on the first listen, though.
I like the title "(something) Patella" Ingrandisci questa immagine

And that something still hasn't happened, I'm at 7:41.
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Where was the Namastè room? I used to go to places without knowing their names... I still do that now.
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I just watched the movie.
For the character of Pontano, I think there was a vague inspiration from Dino Buzzati. Does anyone know anything about it?
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I miss this, it looks very nice like all the others I've watched. I haven't seen many of his, I should get a move on. The last one I watched is L'eclisse, I have the impression that this one is similar in terms of atmosphere and not just because of Vitti... Am I wrong?
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The texts are written in a tangled yet absolutely logical language. It closely resembles what I speak when I go abroad.