Voto:
When I saw the review, I thought, "Hey, a Saramago book I haven't read," but then my creeping old age took over once again: not only did I read it, but I also ended up watching the film, because the book had struck me profoundly. However, I've almost completely forgotten about it.
Voto:
The very lovely series with an unexpected ending that left me with a bitter taste: all the unanswered questions linger and sizzle in your stomach when you really live that situation. The artist's egoism hasn't left him, though; the fairy tale recounted by the friend is a detail I found forced and aimed at putting his profession at the center of the narrative. However, I don't exclude the possibility that there's a grain of truth and plausibility, and I'm the usual snoop. You said the right thing, but I always perceive your detachment; it's still nice that you wrote it.
Voto:
Among his writings, it's the most reviewed review I've ever read. UH!
Actually: UUOORRRH!
Voto:
It's a pleasure to find you at home; I believe I've read more than one of your old reviews. You're also the only one who has reviewed the Dardenne films (yes, I would have liked to review Rosetta). I don't know if you've written anything different; I don't think so... it's definitely not a new interpretation, but you've done it well.
Voto:
"immensely underrated historical value," you say? There are four other reviews, and you don't stray from at least two of them.
Voto:
I can't believe you reviewed an album like that!
Voto:
I don't disdain Italian indie music and sometimes I even like something. For Italian indie, I do ask for light and pleasant lyrics, but this guy - to me - seems so banal that I could have written the lyrics myself if I wanted to make money writing nonsense. In fact, if I had to write things like that, I would be so ashamed I would never publish anything. He seems to me like absolute emptiness, fine just for a talent show and to listen to in the supermarket while I fill the cart.
Did you listen to stuff like this as a kid? I don’t think so.
Voto:
"Nice but long" is actually total bullshit.
Voto:
"too lost behind this beautiful whore" I won't even express myself.
You don't go from a joint to a hole automatically; this film is maybe full of clichés??
You gave a five to a film that's not worth five balls.
Voto:
The interpretation of the phrase "adulthood is hell" made by Houellebecq is absolutely compatible with one of the key themes of Atomised, for now the only text I have read. He is a very interesting author and I am glad to have come across him. Perhaps you suggested him to me yourself. Do I remember well?