ligdjs

Yes, but in fact I wrote that I think you got the type right...it's just that you exaggerated a bit, that's all.

I love what's goin on for its ethereal and elusive nature just as much as I love the carnality of let's get it on. Marvin Gaye is among the greatest musicians of the 20th century.

5 heard, it’s a collection that I read last year and I really liked it a lot. Clearly, the poetry deserves more readings, and sooner or later I will challenge myself again with Spoon River. You very brave, but you could have talked a bit more, even though the type works well in my opinion =)

I know of them by name; maybe in the future I'll have the chance to listen to something. I liked the review anyway, and the cover is stunning.

You've really piqued my curiosity... and then there's Nicholson...

In fact, I almost never use track by track because I realize it can feel heavy. But not using it for this album, like for "circle in the round," gave me the impression of a superficial work. Yes, it turned out to be longer than its "twin review" (that of "circle in the round," indeed), if we want to call it that, but my intent was simply to be more precise. Obviously, albums like this are more for completists and fans, certainly not for novices. For Miles' other albums, of course, I give them 4 if not 5. As I’ve already done.

I’ve heard a few tracks and I like them; the version of the wonderful "it's allright" is great, but (perhaps my favorite Dylan song) is very beautiful. Maybe sooner or later I'll buy it.

it inspires me a lot

Beautiful review that I don't completely agree with. Defining Hubbard as a second-tier artist seems excessive to me; not so much as a leader, but as a collaborator, he has taken part in some of the masterpieces of jazz (I think of Hancock's perfect Maiden Voyage). It's undeniable, however, that he wasn't among the most well-known and visible figures. And then, I don't know, you define his style as very delicate, but I don't see all this delicacy! I've never listened to Blue Spirit, so I don't know how it sounds on this album, but from what I've heard, it seems to me to have an old-school style as you say, but not delicate—rather, quite aggressive at times! But I'm not sure; I know a bit about Freddie Hubbard, but not very well—maybe I've formed wrong ideas. In any case, great suggestion; sooner or later I'll buy something of his, perhaps starting with the jazz fusion masterpieces of the early '70s.

Well, this story in certain parts is a bit heavy... although in others, it reaches great heights, a bit inconsistent.