cappio al pollo

Absolutely. An album that gets under your skin.

Is it all true? What an abomination.

Really well-done review, lux is a guarantee. I don’t know the album yet, but these days I was thinking of reviewing Painful, which is an amazing album and also stands strong without a review.

Hey there! Thanks for stopping by, friends. By the way, the Moonshake didn’t quite make it to the Mataror (praise be), but for this one they recorded their (excellent) debut album ("Eva Luna"). Cheers and all the best.

The quintessence of rock music and its cornerstone for the evolution of the electric guitar. Nice reception, four for the excitement that shines through. Well done!

Dear Carlo! Your avatar is an excellent testament to how the swimsuit test is also an excuse for self-improvement. Hey Bartle! I must admit that I didn't actually remember them at all, and I only stumbled upon them recently by chance. You’re right, though, more courageous, but consequently also less impactful than the successor. One step below, but still absolutely noteworthy.

Just tonight I sent the one for the debut EP! Great review, yours. I didn't think you'd venture into indie territories as well. Anyway, the album reviewed here is stunning, I would give it five stars, also out of fairness for the four I gave to Pirate Prude, but maybe I should have held back by one vote, both here and there.

Damn, are you always on the defensive? I was serious, Larrok.

Sorry, overrated* Anyway, I compliment my friend Larrok for his badass arguments.

Anyway, in my opinion, you shouldn't take offense at being called an "ignorant!" Earlier you asked what I would have said if I were in your shoes... well, maybe I would have replied "you're right," since I strongly believe I am one, and everyone should be, or perhaps, if I were confident in my opinions, I would have answered with a "you’re convinced...", but without taking it as an insult, because it's not. The fact is that personal tastes must be separated from historical significance, and then one can easily give a rating based on their own preferences. But if one suggests that a fundamental album like this is seriously underrated and that the classics of the era are something else, then one should also support their opinion with arguments or simply say "I don't particularly like it," because the indispensability of a work like this is clear; one only needs to revisit (by listening to them) the musical realities of that time to realize the uniqueness of certain aspects (certain sounds, certain noises, certain themes, certain violas...). A revolution. But this does not take anything away from the other great albums of '67; let's give Caesar what belongs to Caesar.