cappio al pollo

Hello Federock, I'm glad I sparked your curiosity. "How I Made My Millions" is a small gem in its simplicity. Let me know what you think. Ehyqua Core! Thank you for the praise I don’t deserve. Curious though, I would have guessed you preferred the earlier part of your career. Dear Fede, do you find it harder to digest the song or the genre itself? You know, I have my tastes too, but I don't like… Aerdna, I might agree. I'll think about it. Actually, friend Tomgil, you expressed yourself well. I interpreted it my own way instead. Alessio, I read your message but forgot to reply. I'll take care of it right away. Lost, thank you really for your support. Madamigellaubriacata, I've had some disappointments myself. Perhaps with "In Rainbows," which, however, still has some high-level moments, even in the bonus disc. Grafton, I knew that unreleased track. I also found that the intro, especially the drums, reminded me a bit of Neu!. Best regards.

At the time, I preferred the rivals. Youthful sins. I found the Crue unpleasant.

Hello Cooloras! Personally, I don't find it a Yorkian song, especially since the good old Yorke, when he goes solo, tends to get carried away more by dance fever and a playful vibe. It seems more like a nostalgic "side" recollection (see "Melatonin") from the two captains. Particularly characterized by Jonny Greenwood's notable compositional flair. Thanks Fedezanzan, let me know what you think of the track. And anyway, I would suggest you explore the whole world of b-sides that resides behind the period you enjoy. There are really a handful of songs that are on par with, and sometimes even superior to, those publicly acknowledged in the "major" releases. Dear infected friend, I'm here for you. Thank you Flo, you’re becoming even kinder. Tomgil, we’re not on the same page. It's not exactly enthusiasm; it's more of a way to highlight, to emphasize. And let's be clear, the track in question truly deserves any enthusiastic tones. Finally, if I had let myself be swept away by enthusiasm, I probably wouldn’t have held back on the five-star rating. Suonoonus, “Agaetis Byrjun” and “( )” are to be framed, but that's English stuff! Mrbisturi: maybe. A thousand thanks, Algol. Yes, they’ve done better, but for me, this is a step back into the past compared to their latest things. Take care!

Well done, and also good job to them. Perhaps some references are a bit daring, but it's all fine. The cover seems to be the work of a modest Manara.

Money makes the happiness of those who believe in money. This Bardolla must be completely crazy. Surely someone who publicly expresses such absurdities should be in jail. I read that stuff linked by Gabriola, and I'm still agonizing in indignation.

A book that I will probably never read. I already have too many problems with my women to deal with those of others. Those of Fiumani, on the other hand, are always interesting and useful even for my own.

I know no one will read this scroll, but that's fine. Beyond this, I have never seen any of Muccino’s films, nor am I interested in knowing more about them. Perhaps wrongfully, I should at least do my homework before categorically avoiding something. However, I am aware of the reputation of films like "L'ultimo bacio" and the like, and, well, fuck it, I don’t know. I’m just not interested. What I don’t understand is why, reading the comments on this page, it exclusively comes across that there’s just 1 and that Muccino is a shitty director. No objections here: the direction is probably not the best quality of the film. Along with the terrible dubbing in Italian, it forms a pair of aces – not the highest cards, but the ones that are worth one. But the film? Is it really that bad? I almost feel uncomfortable sharing my opinion amidst hundreds of 1s, pseudo-objective 2s, forced 3s, and where one of the few who gave it a 4 commented, "Muccino did a good job!" What would these Italian clichés that are supposedly gleaned from watching the film be? Perhaps those that the girl in "il mio fidanzato di adesso" doesn’t mention? Or that the message left by the film would be "money=happiness"? Or maybe the happy ending? Right, avoiding the happy ending like the plague should be a prerogative of all films with a bit of dignity. Even those biographical ones, where the story would have to predict a happy ending. God forbid. The necessary modifications must be made, clearly trying to end things with chopped heads and flying knives. What pisses me off is that I have to feel like the bad guy, a piece of shit, a sappy fifteen-year-old in heat solely for having expressed my voice outside the choir. "Your problem!" I’ll be told, perhaps not unfairly, "you watch shitty films." Likely. Yet I’m sure that films like "Il cacciatore" and "Taxi driver" are not. I’m a dodgy insecure person who has to justify himself like an insecure sixteen-year-old, but frankly, I liked this film. Ah, one last thing: the one who wants hard stuff, I’d totally hook up with her. But, alas, something smells a bit off. Still, I believe that avatar will exist. And anyway, it’s surprising how that piece of crap "L'ultimo bacio" – as inferred from the ratings given in the review of this film – she found hard, just as she likes it. Returning to the film, I am sure that most of the ratings have lacked objectivity and were mostly ratings for Muccino rather than the film – possibly not even watched. Beyond being merely a way to flaunt who knows what critical skills and fit in with the masses (perhaps embarrassed) even hiding a probable enjoyment with numbers leaning as much as possible towards the negatives. So, you are really just a bunch of pseudo-metal fascists.

Really. What the hell can you say after such a review from such a reviewer about such an album?

I will surprise you: 1) I was joking; 2) I’m less thick-headed than I might seem; 3) in fact, I’ve also listened to some samples and a few of them didn’t leave me indifferent; 4) nowhere does it indicate that I haven’t approached the genre; 5) I have no racial prejudices, either towards people of color or towards people from southern Italy, but that’s not all: I’m Calabrian; 5) I actually appreciate both. I’m sure we’ll become great friends! Ah, I just read the review too: hilarious, they’re really singing in Sicilian!

But thanks to you, wow! Hey, arancino with ragù, I hope you didn't take my comment on Pavese's review the wrong way (indeed, yes: Pavese wrote a review from the afterlife - not to mention by himself). I was just teasing you. I care about everyone. Gabriola, what do you think of the half title track ("Calcination")? I'm off to dinner. Salami for everyone!