alia76

I don't quite agree with considering Kirchner as a separate entity from the Berlin scene. After all, Berlin was merely a hub, the city that best represented the essence of the flaneur and the urban revolt movement. Those who shifted perspectives, who violated with colors, who dynamicized "photographs" could not disregard Berlin, with its cabarets and its streets. The same applied to Otto Dix, Macke, and Kokoschka. And as for military interventionism, well, it was at the core of the Berlin poetic revolt by Heym, Balcke, the first Benn, Trakl. No, I don't think Kirchner can be separated from Berlin's Expressionism nor from Expressionism as a whole.

In short, expressionism came long before the Nazi fury, and the Berlin scene, with its cabarets and cafés, was very popular in the early 1900s, even beyond the German borders.

Well, I know this album too (thanks, big brother!) because back in the day I used to read the Mondadori Oscars of Agatha Christie (the ones with the yellow covers) and I listened to Amedeo Minghi's complete works (the memories of the heart + the TV series Edera) and Mietta (Vattene amore and tududu-tagadà) as if they were revelations from Fatima.

oh but you... Daring so much against Grandepenna GRAssHopper :-) how very dare you :-)

oh but this cover sucks jars of Manzotin. I don't know

For me, they have always been garbage. 1 regardless.

Here. If Vasco had done a concert like this (three and a half hours, totally crazy, at 63 years old), I'd say he did the impossible. However, I don't know him and he's not really my style (especially in terms of vocality and image), and I don't know how many times he left the stage (which Vasco does to "recover") or if he has ever done it. Anyway, maximum respect.

I'm really not interested in them, but if the front cover is visible on the fourth page of the booklet, I might consider it.

I can say it: go fuck yourself. I mean... you were born in '96. You can't know shit.