hymnen Banned

Look, people, I completely respect your opinion, of course, but I believe that a FAKE can only be considered as a piece of cardboard. Different types of prints that have come out would be another matter. However, I understand your concerns regarding the issue of the general conditions under which records are sometimes graded for sale. Certainly, there would be many considerations to address.

p.s the originals and the reprints are one thing, the originals and the FORGERIES are another. the fanaticism here is out of place, moreover I have NEVER in my life purchased an "Introducing" simply because I am not a detective!

Why bootleg? These are counterfeit copies of an official album, not pirate recordings. One thing to note, not all original vinyls have "Beatles" written with the title above the hole of the label, but there are indeed some out there that have an opacity in the colors typical of fakes. I believe the print you’re referring to in the stereo version, which you would question the existence of, is if I’m not mistaken also the one with a higher valuation. Personally, I could tell you about an incident I witnessed a few years ago at a famous record fair regarding exactly those American prints of the Beatles, but perhaps it's better not to, because I think you would stop looking for them. By the way, did you mean Rock Bottom in Florence? Not to be polemic, but what aspect do you find it the best in?

I would recommend buying all of them with the writing above the hole.

a) INTRODUCING THE BEATLES (U.S.A) IS ABSOLUTELY THE MOST COUNTERFEITED LP IN THE HISTORY OF THE 33 RPM SINCE 1949
b) BOOTLEGS HAVE NOTHING TO DO WITH IT; THEY ARE A COMPLETELY DIFFERENT THING
c) THE FIRST ORIGINAL PRESSINGS DIFFERED FROM THE TONS OF COUNTERFEITS EVEN BY ONE DETAIL, THAT IS, BY THE SHADOW PRODUCED REFLECTED BY THE FOUR ON THE COVER (I HAVE PERSONALLY FOUND COUNTERFEITS WITH THE REFLECTION QUITE VISIBLE) AS WELL AS BY SPECIFIC CHARACTERISTICS OF THE COVER'S CARDBOARD
d) ONE OF THE EARLIEST EXISTING STEREO VERSIONS HAS A VALUE OF 20,000 EUROS (NM), THEREBY SURPASSING THE "BUTCHER" COVER
e) THE VEE JAY LABEL OF THE FIRST PRESSINGS IS BLACK, HAS A COLORED OUTLINE, AND THE WORDING VEE JAY IN HORIZONTAL INSIDE AN OVAL LOGO; THE SECOND IS IDENTICAL BUT THE WRITING IS ONLY WITH V. J. IN VERTICAL AND WITHOUT THE OVAL LOGO

Only a Martian could have conceived an album like Starsailor.

Volumina is the composition I prefer, a deformation and incessant timbral and dynamic variation through the technique of clusters, which tears the organ into a thousand facets (score 5). Particularly fascinating and enigmatic are the interweavings of sound bands in the two studies for organ (especially the second one) (4.5). Suggestive is the subsequent Continuum for harpsichord, in which the very slow and interwoven succession of closely spaced notes gives rise to a sensation of almost saturation of the sound space in the listening experience (5). I don't find the first electronic work, Glissandi, entirely convincing from an emotional standpoint; its use of sinusoidal sounds does not seem particularly compelling in terms of dynamics (4). Artikulation is more interesting and engaging, where the contrasts and spatialization of sound vaguely remind one of Stockhausen's masterpiece, Gesang (4.5).

An album entirely played on the precious and measured piano notes of a Cave at the highest expressive levels, rich in a romantic and intimate vocal melody, at times raw and ecstatic. The completeness and depth of the two sound sources are moving. A descriptive journey always accompanied by his band, which tends to and caresses him until the end of his delirium. Thank you, Nick.

the album is beautiful, Benson has phenomenal technique, a unique style, and thrilling feeling. the review is perfectly descriptive

music philosopher????? AHAHAHAHHAHAHAH oh what a nonsense